A Declaration of Decadence
Mary Jane Rubenstein’s real target in “Astrotopia” is not the corporate space race, but the very ideas of humanism and progress.
A collection of 130 posts
Mary Jane Rubenstein’s real target in “Astrotopia” is not the corporate space race, but the very ideas of humanism and progress.
A new book by historian Ian Garner investigates how the war in Ukraine is transforming Russia into a fascist society.
Grappling with Western misdeeds does not require us turn indigenous tribes into pious exemplars of moral instruction.
Martin Wolf’s new book is a work of sombre brilliance, but it fails to grapple effectively with the postliberal analysis of what ails liberal democracies.
Is failure to succeed as bad as the fall from success?
Natalia Mehlman Petrzela’s ‘Fit Nation’ offers a fascinating but frustratingly selective history of America’s physical fitness obsession.
Mary Harrington’s proposed solution to the excesses of modern feminism is an overcorrection.
Richard Wolin’s reappraisal of Martin Heidegger offers both original contributions and a synthesis of critical scholarship. The result is a timely work of enduring importance.
A fine new book argues that the contemporary Left could learn a lot from the life and work of the late polemicist Christopher Hitchens.
Oxford ethicist Nigel Biggar’s controversial reassessment of Britain’s imperial record has reignited an important academic quarrel over the meaning and legacy of empire.
In ‘The Philosophy of Modern Song,’ Dylan contemplates himself and the art form of which he is the acknowledged master.
A terrific new account of America’s social and political turmoil during the 1910s and ’20s provides some much-needed perspective on the problems afflicting the country today.
An informative and apolitical new book reminds us that statistics are not always what they seem.
In a valuable new book, historian Richard Landes argues that Western reporting on the Second Palestinian Intifada helped to seed a misunderstanding of terrorism.
In his new book, Murakami attempts to set the limits of what he wants people to know about him—and that isn’t much.