Art and Culture
Almost from its inception, the Beat Generation seemed to be doomed to failure. In and around Columbia University, a ragtag group of bohemians coalesced based upon an odd array of mutual interests. Two of them were homosexuals, one bisexual, and all were interested in drugs and subversive literature. William S.
The boast of heraldry, the pomp of pow'r,And all that beauty, all that wealth e'er gave,Awaits alike th' inevitable hour.The paths of glory lead but to the grave. ~Thomas Gray, Elegy written in an English Country Churchyard. I shouldn’t overstretch this frame—or shoe-horn the bunion-disfigured
Watching director Ted Kotcheff’s 1971 psychodrama Wake in Fright 50 years after its initial release somehow evokes the irrecoverably distant and the hauntingly familiar. In one respect, the film’s desolate setting and suffocating atmosphere of violent desperation are so far removed from the urban, multicultural experience of Australia
It was an “aha” moment, says Ray Blanchard. In the mid-1980s, the clinical psychologist was working at the Clarke Institute of Psychiatry in Toronto, trying to work out what motivated gender-dysphoric men who wanted cross-sex hormones and surgery. And now he had met “Philip,” a patient whose case history made
1922 is one of those spooky years in the history of literature, when several revolutionary things seemed to be taking place at once. At the time, Virginia Woolf was still a minor figure in the publishing scene, but she was in the beginnings of her literary chrysalis. She had recently
On August 2nd, 2013, 14-year-old Hannah Smith of Leicestershire, England, took her own life. She had been receiving cruel messages on the social networking site Ask.fm for months, and her parents concluded that cyberbullying was the main cause of her suicide. But then evidence emerged that the hatred Hannah