Gregg finishes the book by concluding that the success of Western civilisation rests on the “four theses” of creation, freedom, justice, and faith.
Freedom of the press is a fundamental human right and a key pillar of democracy.
Jonathan Kay, Canadian editor of Quillette, talks to associate editor Toby Young about his recent article on COVID-19 superspreaders.
Now, both its political class and its people face a much harder road—a hard, narrow, and stony one, to end a dependence sapping both Italy and Europe.
The War of Return is an important book and, unquestionably, a welcome corrective to the plethora of myths, lies, and misconceptions that litter the discourse on the Israeli-Palestinian conflict.
“What’s it about?” is usually the first question we ask when someone recommends a new book, and it’s the wrong question.
A philosophy of optimism was central to the flourishing of the American project. But it’s also useful to consider whether insisting that success and greatness lie around every corner can become a maladaptive response to problems that are complex and brutal.
As COVID-19 suffocates the global economy, borders remain closed, and tensions mount between EU countries, the US and China, etc., Fukuyama’s critics are taking the opportunity to dismiss the “The End of History?” while ignoring its basic premises.
In the absence of any comprehensive database of COVID-19 superspreading events, I built my own.
This negative narrative around men risks exacerbating the gender empathy gap, part of a wider unconscious bias against men, recently identified as an aspect of gamma bias.
Nadia Guo, a sex worker and lawyer, talks to Jonathan Kay about the devastating impact the COVID-19 pandemic is having on the sex trade—although it’s been great for the webcam business.
Bingen is right about one thing, though: Easy Rider really is an important movie—much more important than a simple measure of its quality would suggest—which is probably why the American Film Institute, among others, continues to rate it so highly.
He cannot help being true to himself. In this calm, blithe, and objective memoir, Allen emerges, at wild odds with his comedic persona, as a very tough, independent artist, a passionate lover of women, avowing his innocence of the one and only charge ever leveled against him in 84 years.
Love, it turns out, remains an enduring mystery.
Ever wonder why a man that builds computers, both predicted the pandemic two months before it happened, is suddenly featured on the news every day instilling fear into hearts of Americans, and is now demanding that nothing be reopened until vaccines are mandated?