“Too Much Science in the Curriculum”
Tragicomic scenes from reparations-based medicine.
Tragicomic scenes from reparations-based medicine.
How Phil Collins created the pop sound that defined the 1980s.
Earth Day once helped focus public attention on real environmental problems. Today it is a festival of alarmism, misanthropy, technophobia, and moral theatrics.
The new film 'Project Hail Mary' based on Andy Weir's bestselling novel, celebrates scientific problem-solving on a cosmic scale. There are striking parallels with David Deutsch's radical optimism.
What happens when human manipulation arrives at its Claude Mythos moment?
The Wikipedia knowledge monopoly is not ready for the Grokipedia threat.
Now that glyphosate has become a national-security issue, it’s time to revisit the source of misinformation about this controversial herbicide.
Éric Rohmer’s Perceval le Gallois (1978) vividly recreates the imaginative world in which the people of the Middle Ages lived inside their heads.
Reflections on the crisis of meaning afflicting not only Gen Z but all of us who are too online.
Luc Besson’s romantic adaptation of the Dracula story owes an unacknowledged debt to Eiko Ishioka, the visionary designer of Francis Cord Coppola’s 1992 classic.
Most of today’s “artificial intelligence” is better described as artificial autocomplete than artificial mind.
The central risk of AI is not that machines will become malevolent. It is that human incentive structures, amplified by scalable technology, outrun our ability to govern them.
Monuments don’t create legacy; they merely memorialise it.
The contributions of Robert Trivers belong in the special category of ideas that are obvious once they are explained, yet eluded great minds for ages; simple enough to be stated in a few words, yet with implications that have busied scientists for decades.
Nick Cave’s beautiful and tragic music brings redemptive catharsis to a grief-stricken city.