Israel’s Everywoman at War
Helen Mirren’s Golda Meir offers a profile of greatness in the face of overwhelming adversity.
A collection of 345 posts
Helen Mirren’s Golda Meir offers a profile of greatness in the face of overwhelming adversity.
The Western canon was not an unchanging set of texts, but an ongoing conversation that lasted thousands of years—enabling each generation to build on the intellectual heritage of the past.
In the inaugural instalment of ‘The So-Called Dark Ages,’ podcaster Herbert Bushman introduces readers to the Gothic civilization that would eventually help bring down the Roman Empire.
In the tenth instalment of an ongoing Quillette series on the history of Canada, historian Greg Koabel describes the early—and tragically unsuccessful—French efforts to create a permanent colony
That slaves were able to develop beneficial skills while in bondage is a tribute to the human ability to wrest value and create meaning even under conditions of almost unfathomable duress.
Terrible things happened at many of Canada’s Residential Schools. But describing these institutions as instruments of mass murder is inaccurate.
In a new book, the historian traces modern Russian aggression to an apocalyptic mythology rooted deep in the nation’s past.
Far from being an ‘architect of genocide,’ John A. Macdonald championed policies that were humane by 19th-century standards
Beijing looks the other way, and the deadly medicine sails West just as its natural ancestor once sailed East.
In the fifth instalment of an ongoing Quillette series on the history of Canada, Greg Koabel describes Jacques Cartier’s first encounters with the Mi’kmaq and Iroquois.
In the fourth instalment of an ongoing Quillette series, historian Greg Koabel describes how the quest for cod and a possible passage to China sparked England’s first transatlantic ventures
The left’s refusal to frame the British Empire as anything but a force for pure evil makes for effective culture-war politics. But it also makes for bad history.
Edward Berger’s award-winning film is a deeply flawed adaptation that replaces the book’s complexity and humanity with hyperbolic surrealism and misanthropy.
Much of the tragedy resides in our collective response to the meltdown.
In the second instalment of an ongoing Quillette series, historian Greg Koabel describes how Leif Erikson ended up in Newfoundland