Were the Nazis Left-Wing?
The parallels between Nazism and communism complicate the standard left–right divide.
A collection of 451 posts
The parallels between Nazism and communism complicate the standard left–right divide.
Brady Corbet’s panoramic epic, ‘The Brutalist,’ may be technically brilliant, but it is a cheat and a fraud.
Jodi Picoult’s latest novel is a ham-fisted expression of cultural rage, embodying the most anodyne values of corporate human-resources departments.
If the American Historical Association formally adopts a resolution accusing Israel of “scholasticide,” it could destroy the organisation’s reputation for serious scholarship.
Notions of injury or exclusion are often based on shifting cultural sensitivities and political pressures, rather than on any permanent, universal measure of good and evil.
In the 24th instalment of ‘Nations of Canada,’ Greg Koabel describes how British adventurers briefly seized Quebec and Acadia following the Anglo-French War of 1627–29.
America is not fallen; it is simply given to periodic bouts of insanity. The patient is tiresome; the patient is ridiculous; but the patient is stable.
‘The Message’ is a lopsided, unserious, and frequently embarrassing essay, the real target of which is the very existence of Israel.
Since the 18th century, the very process of innovation was uniquely institutionalised in the West. That is now precisely what is being globalised.
A New York Times op-ed by a Yale historian tries to see universities from the vantage point of an outsider. Instead, it unwittingly illustrates why universities will not self-correct without external intervention.
While Islam traditionally treated Jews with contempt, antisemitic conspiracy theories imported from Germany escalated this animosity by vilifying Jews as agents of diabolical evil.
Quillette podcast host Jonathan Kay talks to author Adam Kirsch about the growing corps of academics and activists seeking to demonise ‘settler colonialists’ in North America, Australia—and especially Israel.
A new version of Tinto Brass and Bob Guccione’s notorious 1979 film ‘Caligula’ provides a valuable record of one of the most fascinating disasters in cinema history.
Jay McInerney’s debut novel was the first work of fiction to explore yuppie culture, and its success changed American publishing.
The works of literary critic Adam Kirsch and of novelist and memoirist Joan Didion provide a salutary rebuttal of settler colonialist theory.