Author: Kevin Mims

Warehouse Work in an Age of Contagion

As regular readers of Quillette will know, I work at a warehouse in West Sacramento, California, where every workday I toil in close quarters with dozens of other employees. In the days before the advent of the novel coronavirus pandemic, that wasn’t a problem. Now, however, it’s a little bit frightening. Last week, along with all other members of the company’s workforce, I received an email informing me that a supplier of surgical masks for all warehouse workers hasn’t yet been found. In the meantime, employees are improvising. People are covering their faces with bandanas, like stagecoach bandits in the Old West. Others are wearing ski masks, like contemporary bank robbers. Some wear scarves around their faces, even though the weather is fairly warm now. And some have even managed to procure actual facemasks. But most of the employees, like me, work uncovered. Although we are encouraged to stay six feet away from each other at all times, that isn’t really practical. We’re all hauling bags and packages out of narrow aisles and it isn’t …

The Decline of the Great American Family Saga

In February, the Atlantic published a much discussed essay by David Brooks entitled “The Nuclear Family Was a Mistake.” Brooks noted that the conditions that once made nuclear families viable—strong unions, plenty of jobs that paid living wages, inexpensive housing and transportation and education costs, stay-at-home mothers, high numbers of churchgoers—were products of a very brief window of time that only lasted from about 1950 until about 1965. For centuries prior to that, Americans tended to divide themselves into extended families, vast networks of grandparents, aunts, uncles, and other relatives, all of whom remained connected to one another by some sort of family enterprise. Here’s how Brooks sums up the extended American family: In 1800, three-quarters of American workers were farmers. Most of the other quarter worked in small family businesses, like dry-goods stores. People needed a lot of labor to run these enterprises. It was not uncommon for married couples to have seven or eight children. In addition, there might be stray aunts, uncles, and cousins, as well as unrelated servants, apprentices, and farmhands…Extended …

The National Book Foundation Defines Diversity Down

Last month the Huffington Post published an essay by Claire Fallon entitled “Was this Decade the Beginning of the End of the Great White Male Writer?” Fallon celebrated the notion that white men are losing their prominence in contemporary American literature and that the best books being published in America today are being written by a wider variety of authors than ever before: “What was once insular is now unifying,” National Book Foundation director Lisa Lucas told the crowd at the 2019 National Book Awards Gala, where the fiction, nonfiction, and poetry honors all went to writers of color. “What was once exclusive is now inclusive.” Lucas took over the foundation in 2016, at a time when the high-profile awards had a somewhat checkered record with representation. Though historically the honorees had skewed heavily white and male, that began to change around 2010. (However, there had been some other recent embarrassments, like 2014 host Daniel Handler’s racist jokes following author Jacqueline Woodson’s win for “Brown Girl Dreaming.”) Lucas, the first woman and person of color …

‘White Christmas’ and the Triumphs of the Greatest Generation

Michael Curtiz’s 1954 classic White Christmas is so popular that it generates new think-pieces every time the holiday season rolls around. Last year, the New York Times republished its own original review of the film, in which the late Bosley Crowther panned the movie. Other pieces in other places discussed Vera-Ellen’s alleged bulimia, the fact that her neck is covered throughout the film, the rumor that Bob Fosse was an uncredited choreographer on the film, and the many continuity errors. The film has been called a romantic comedy, a buddy picture (or “bromance”), a musical, and a holiday film. Curiously, I’ve never seen it listed in the war genre, which is the category in which it really belongs. For all its holly and ivy and hot-buttered rum, White Christmas is as much about World War II as Edward Dmytryk’s The Caine Mutiny (both films were among the five highest grossing movies of 1954) or Casablanca (released in 1942, and which Curtiz also directed). It opens in war-torn Italy on Christmas Eve, 1944. Bing Crosby plays …

In Praise of Sylvia Plath’s Forgotten (Sorority) Sister

A tragic early death can do wonders for a writer’s reputation. On October 27, Google dedicated its search page to the late Sylvia Plath, who would have turned 87 that day, had she not taken her own life, at the age of 30, back in 1963. It seems unlikely that Google will ever dedicate its daily doodle to the life and work of, say Edward Field, a gifted poet of Plath’s generation who is still alive at the age of 95. Nor is the internet likely to ever light up with praise for the likes of Maxine Kumin, A.R. Ammons, David Bromige, Robert Bly, Lucille Clifton, or any number of other poets who lived too long to die tragically young. Denise Levertov, another excellent poet of roughly the same generation as Plath, is never likely to get the same attention. At the end of her life, she traveled to various conferences and lectured on the art of poetry and spirituality, while she was suffering from lymphoma and, eventually, pneumonia and acute laryngitis. A tragic early …

‘Cancel Culture,’ Roaring Twenties-Style

The term “cancel culture” has become hotly contested of late. Critics say it is indiscriminately used to describe different degrees of mass opprobrium produced by transgressions that range from the trivial to the criminal. Now, while mob justice is never a particularly good idea, it is certainly true that some instances are more serious than others. Probably the worst kind involves a serious accusation made against a public figure, who is then investigated and cleared, but whose life and reputation are never allowed to completely recover. I was reminded of this reading Claire Lehmann’s recent essay about the fate of Giovanni da Col, a young man driven from the journal he founded amid accusations of sexual and financial impropriety, despite the fact that these claims had been investigated and found to be baseless. Woody Allen, meanwhile, had his career belatedly derailed by the reemergence of child molestation allegations, first made by his estranged partner Mia Farrow during an ugly custody fight in 1992. These claims, too, were thoroughly investigated at the time and dismissed, but …

William Peter Blatty’s Counter-Countercultural Parable

In her new book Primal Screams: How the Sexual Revolution Created Identity Politics (excerpted in Quillette on August 27), essayist and cultural critic Mary Eberstadt documents just how damaging the sexual revolution of the 1960s, and its normalization of divorce in particular, has been to America’s children. She mentions many publications that comment on “the correlations between crumbling family structure and various adverse results,” particularly for the children of divorce. The authors she cites include former U.S. Senator Daniel Patrick Moynihan, social scientist James Q. Wilson, and Elizabeth Marquardt, author of Between Two Worlds: The Inner Lives of Children of Divorce. A writer she doesn’t mention, however, is William Peter Blatty, author of the blockbuster 1971 horror novel The Exorcist. Those who have never read the novel, or are familiar only with its 1973 cinematic incarnation, probably believe the book to be a potboiler about demonic possession. But it is also an allegorical warning about the importance of the traditional family unit and the devastation wrought when it breaks down. Curiously, this aspect of the …

How (and Why) to KISSASS

On June 29, the New York Times published an essay entitled “I’ve Picked My Job Over My Kids,” in which lawyer and law professor Lara Bazelon wrote movingly about her professional life, how much personal satisfaction she derives from it, and how it gives meaning to her days. In fact, she likes her job so much that she often misses out on important milestones in her children’s lives—several birthday parties, two family vacations, three Halloweens, and so on. “I prioritize my work because I’m ambitious and because I believe it’s important,” Bazelon wrote. “If I didn’t write and teach and litigate, a part of me would feel empty.” In January, Meghan Daum, a columnist for the L.A. Times and a teacher at Columbia University, told an interviewer, “Even now when I teach there’s just something about it. When I’m in the classrooms, I feel like this is where I’m meant to be.” Back in 2012, Jeff Bercovici wrote an article for his employer, Forbes magazine, entitled “Here’s Why Journalism Is The Best Job Ever,” in which he raved about …

Tourist Journalism Versus the Working Class

A few days before the Fourth of July, British comic John Oliver used the pulpit of his US infotainment show, Last Week Tonight, to deliver a lengthy monologue about the depredations of Amazon.com. His specific complaint was that Amazon doesn’t treat its employees very well. According to Oliver, among the indignities that the company has heaped upon its workforce are two separate instances in which a canister of bear repellant leaked in an Amazon warehouse. Oliver and his journalistic team also found former Amazon employees willing to complain on camera about working conditions in the company’s warehouses and fulfillment centers: they can get very hot in the summer and very cold in the winter; getting to the bathrooms sometimes requires a long walk; pregnant women get no special bathroom accommodations. Oliver’s researchers even uncovered an incident in which a worker had died on the job and her co-workers were told to carry on working in the presence of her corpse. Amazon disputes much of this, but I have no difficulty believing that incidents like these do …

Pop Fiction’s Rich History of #MeToo Drama

Lately, the very serious people who write about TV and film and books for publications such as the New Yorker and the New York Times have been tripping over themselves to heap praise on highbrow novelists, filmmakers, and screenwriters who have used their platforms to tackle issues such as rape and sexual harassment in the workplace in the wake of the #MeToo movement. To hear these writers rhapsodize about Susan Choi’s novel Trust Exercise or Lisa Hanawalt’s TV series Tuca and Bertie, one might conclude that these are the first creative endeavors that ask Americans to examine how unfair the contemporary workplace can be to women, how serious the threats of date rape and acquaintance rape are, and the many ways that powerful men such as Harvey Weinstein and Les Moonves can use their power to destroy the careers of subordinates who refuse their sexual advances. Writing in the New Yorker, Emily Nussbaum calls Tuca and Bertie “the latest in a deluge of TV series that feel like a direct response to the #MeToo movement, …