America’s Last Great Political Novel
In anticipation of the Democrats’ Convention in Chicago, a look back at Joe Klein’s splendid 1996 novel ‘Primary Colors’—a fascinating snapshot of Democratic Party politics at the end of the 20th century.
A collection of 213 posts
In anticipation of the Democrats’ Convention in Chicago, a look back at Joe Klein’s splendid 1996 novel ‘Primary Colors’—a fascinating snapshot of Democratic Party politics at the end of the 20th century.
Richard Matheson, George R. Stewart, and the birth of the Calipocalypse.
In a new book, Justine Firnhaber-Baker tells the story of the Capetian dynasty (987–1328), whose rulers stitched a set of medieval duchies and counties into a single kingdom.
Fifty years of Robert Cormier’s “classic” young-adult novel is more than enough.
Had he lived long enough to witness the fruits of liberal capitalism, perhaps Orwell would finally have accepted the failure of socialism.
Salman Rushdie’s new memoir, ‘Knife,’ describes the assassination attempt its author survived and offers a moving contemplation of mortality.
One of US television’s most experienced and talented writers has made a mess of Tom Wolfe’s second novel.
Today, most of John Braine’s work is out of print and forgotten. But he was an underrated writer, unafraid to confront the complexities of masculine sexuality with terse precision, self-deprecation, and emotional candour.
Frantz Fanon’s defenders try to distance him from the of ethos of violence he advocated, even as they embrace his anti-colonialist rhetoric to promote anti-Zionism.
A look back at J.G. Ballard's ‘Crash’—one of the the 20th century’s greatest and most disturbingly prophetic novels.
Jay Anson’s haunted-house yarn was a highly lucrative hoax, but it struck a popular chord amid the financial precarity of 1970s America.
Robert Pirsig’s insufferable cult novel about philosophy and bike maintenance turns 50.
A look back at the work and impressively productive life of Brooklyn’s most famous resident, Paul Auster.
Peter Benchley’s ‘Jaws’ turns 50.
In ‘American Fiction,’ director Cord Jefferson brings a devil-may-care effrontery to bear on the culture of self-censorship, progressive pieties, and artistic hypocrisy.