A collection of 747 posts
For decades, it has been common to call authoritarian new laws, norms, or government actions “Orwellian.” In 1984, George Orwell so brilliantly portrayed a nightmarish future that his name became synonymous with almost anything one wishes to describe as oppressive. Aldous Huxley’s Brave New World, meanwhile, provided a rather
While Joan Didion felt compelled to write about Latin American culture and politics because everyone else was doing it, she didn’t understand them very well.
In Shakespeare’s play, the Weïrd Sisters undoubtedly spur Macbeth toward evil by tempting him toward his dark ambition.
McLuhan’s phenomenal success stemmed from being in the right place at the right time.
History is complicated, people are complicated, and Schenker himself was a complex individual.
Storytelling is then—in every era and every culture—a dramatization of the everlasting war between the princesses and the tigers.
Frank Sinatra's “Come Fly With Me” was the best-selling album in the United States for five weeks in 1958, but the irony of its popularity (or, perhaps, the source of its aspirational appeal) is that practically none of us could take up the offer to "glide, starry-eyed&
A review of High White Notes: The Rise and Fall of Gonzo Journalism by David S. Wills. Beatdom Books, 555 pages. (November 2021) I. In High White Notes, his riveting new biography of Hunter S. Thompson, journalist David S. Wills describes Thompson as America’s first rock star reporter and
In the pitiless moral universe of writer-director Sam Raimi’s 2009 horror film ‘Drag Me to Hell,’ guilt isn’t easily absolved and debts must always be paid in the end.
Every situation is distinguished by its uniqueness, and there is always only one right answer to the problem posed by the situation at hand.
Almost from its inception, the Beat Generation seemed to be doomed to failure. In and around Columbia University, a ragtag group of bohemians coalesced based upon an odd array of mutual interests. Two of them were homosexuals, one bisexual, and all were interested in drugs and subversive literature. William S.
To say that Lydon has mellowed would be a huge over-simplification, not only of who he is now but of who he was then, both of which were media distortions if not inventions.
Five decades after its release, Wake in Fright remains a brutally captivating reminder that modernity is just a thin veneer over the darker recesses of the human heart.
Sexual tastes you do not share are inevitably hard to comprehend. But autogynephilia is especially so, since it is rare and even more rarely spoken of.