Author: Allan Stratton

What We Owe to ‘The Boys in the Band’—and Other Classics of Gay Film

Published by Allan Stratton

Ryan’s Murphy’s new Netflix production of The Boys in the Band is a time capsule of gay life in New York City, 1968. A group of friends, all but one closeted, get together for a birthday party that makes Who’s Afraid of Virginia Woolf look like a strawberry social. Shame, guilt, fear, and self-loathing rip through a night of pills, alcohol, and panic attacks, ending with the lines, “Show me a happy homosexual and I’ll show you a gay corpse,” and “If we could just not hate ourselves so much… If we could just learn not to hate ourselves quite so very much.”  I was 18 when I saw the original production, alone, and 19 when I saw the 1970 film adaptation, also alone. I furtively entered and exited the theatre both times, terrified that someone I knew might see me at a show about gays. Would they wonder if I was gay, too? If they guessed, then what? I could end up like those characters, cast off by friends and family, no hope, …

Don’t Listen to the Outrage. ‘Cuties’ Is a Great Film

Published by Allan Stratton

If you’d asked me a month ago what could possibly break through a news cycle dominated by the biggest global pandemic in a century, the most severe economic downturn since the Great Depression, and the worst civil unrest in the United States since the Civil Rights Era, a diverse, French arthouse film about four 11-year-old girls trying to win a dance competition wouldn’t have crossed my mind. Yet since its recent release on Netflix, Cuties has broken through the noise, and how. I wish it were for the right reasons: For instance, because Senegalese-French director Maïmouna Doucouré has written and directed a brilliant, award-winning first feature drawn from her experience growing up as an immigrant kid caught between cultures. Or because it’s alive with tenderness and heartache: a grittier, cross-cultural Eighth Grade about friendship, the love of a parent and child, and our longing to fit in, no matter our age, no matter the price. Or because it’s alive to injustice without preaching or judgement. But no. Cuties has broken through because of grotesquely false …