The Sardonic Inferno
At its best, Amis’s fiction broke open the locked door behind which our culture tries to keep its skeletons hidden.
At its best, Amis’s fiction broke open the locked door behind which our culture tries to keep its skeletons hidden.
An eagerly awaited new edition of Gerald Nicosia’s splendid Kerouac biography provides the definitive portrait of a great artist and a profoundly troubled man.
How the books of George Baxt and Joseph Hansen changed the genre.
Mary Jane Rubenstein’s real target in “Astrotopia” is not the corporate space race, but the very ideas of humanism and progress.
By demanding that morality tests be imposed on scientific journal authorship, Geoff Marcy’s critics are creating a dangerous precedent.
Adnan Syed would never have been released had ‘Serial’ not been made. Advocacy journalism must be treated with caution.
A serious reexamination of this case must begin by setting out the evidence that led the jury to convict.
Neither hagiographers nor haters of the late musician, actor, and activist have managed to get him right.
While claims of skill transfer may be overblown, there is still benefit to be had in the tiny, claustrophobic world of the game.
In the fourth instalment of an ongoing Quillette series, historian Greg Koabel describes how the quest for cod and a possible passage to China sparked England’s first transatlantic ventures
From Fidelio to The Soldier’s Tale, some of history’s greatest compositions are being co-opted as social-justice propaganda
How ‘Gidget’ helped to put surfing on the map.
There are valid concerns and there are unfounded fears. Let us separate the two.
Contemporary feminist thought is correct to identify the male gaze as the default way of seeing, but has largely overlooked the fact that the gaze places power squarely in the hands of women, not men.
Any critic unable to tell great from good, passable from poor, is incompetent. The critic who refuses to do so for ideological reasons is compromised.