Where Do Works of Art Belong?
An Artist's Response to James Kierstead’s “The Elgin Marbles: Playing for Keeps"
A collection of 726 posts
An Artist's Response to James Kierstead’s “The Elgin Marbles: Playing for Keeps"
A tribute to an irrepressible TV star’s ability to live long and prosper.
If we siphon off all female diversity into categories like 'non-binary' we narrow the idea of what it means to be a woman.
Metamodernism conveys the experience of living in a world in which we feel comfortable oscillating between different perspectives.
Efforts to produce a worthy film adaptation of Frank Herbert’s ‘Dune’ seemed doomed to failure—until Denis Villeneuve gave us his two-part blockbuster.
The themes of Liu Cixin’s trilogy undermine his protestations of loyalty to the People’s Republic.
In a new book, Katherine Brodsky explains how members of the ‘silenced majority’ find new audiences after enduring episodes of public mobbing.
An interview with Sean Mathias, the director of a daring and original new film adaptation of ‘Hamlet.’
In the eighth instalment of ‘The So-Called Dark Ages,’ Herbert Bushman describes the Huns’ increasingly violent incursions into the Eastern half of the Roman Empire.
For Aron, politics is the art of living together, the art of the possible, and requires an “acute awareness” of the limitations of our power to influence reality.
Jay Anson’s haunted-house yarn was a highly lucrative hoax, but it struck a popular chord amid the financial precarity of 1970s America.
Our secular ideas about guilt and absolution distort the language and values of Christianity.
The animation industry was perhaps the United States’ most potent cultural weapon during World War II.
1900–1950 was a golden age of literary eccentricity.
Robert Pirsig’s insufferable cult novel about philosophy and bike maintenance turns 50.