All posts tagged: film

Once Upon a Time…Film Critics Became Joyless—A Review

*This article contains spoilers. Once upon a time, somewhere far from Hollywood, critics decided that movies for grownups should not be fun, and that the filmmakers who make them should be punished. For publications like The Guardian, the latest unacceptable pusher of a good time is Quentin Tarantino, with his long-anticipated Once Upon a Time…in Hollywood. “Whatever the merits of his new film, Tarantino’s films have revelled in extreme violence against female characters,” says the piece, entitled “End of the affair: why it’s time to cancel Quentin Tarantino.” Time Magazine went so far as to count “every line in every Quentin Tarantino film to see how often women talk,” tallying the results in data charts. This nakedly ideological ire against not just the movie, but Tarantino himself, extends even to The New Yorker—the same New Yorker where Pauline Kael, a decidedly non-ideological film critic, presided for a generation. “Tarantino’s love letter to a lost cinematic age is one that, seemingly without awareness, celebrates white-male stardom (and behind-the scenes command) at the expense of everyone else,” …

The Conservative Manifesto Buried in ‘Avengers: Endgame’

For the last decade or so, American cinema has exhibited a paradox: Though Hollywood has become more and more liberal, especially on issues of race and gender, Hollywood blockbusters have become more conservative—not just by recycling old plot points, as Star Wars has done, but also, in the case of superhero movies, by indulging a politics of reaction. What might be called “Nolan’s enigma” began in earnest with The Dark Knight, which involved a tough-on-crime WASP using torture, intimidation, and surveillance to bring down a media-savvy terrorist. The Dark Knight Rises took things one step further with Bane, a menacing mix of Robespierre and Ruthenberg, whose pseudo-Marxist coup unleashes all manner of mayhem upon Gotham: banishments and public hangings, street brawls and show trials, and—in a scene lifted straight out of the French revolution—the storming of Blackgate (Bastille) prison. Not to be outdone, Marvel soon embraced its own brand of post-9/11 conservatism. In every Avengers film, Joshua Tait notes, “it really is 1938….The threats are real and the Avengers’ unilateral actions are necessary” to protect …