Theatre of Blood
Seduction and submission in the work of the Marquis de Sade.
Seduction and submission in the work of the Marquis de Sade.
We devote a lot of resources to trying to equalise student outcomes, but under ideal learning conditions, individual differences in student achievement widen.
If we hadn’t spent so long pretending that ‘trans women are women,’ the growing political movement to align our laws with biological reality wouldn’t have been necessary.
The Israeli attack on Iran is in line with its longstanding policy of never allowing its neighbouring enemies to acquire nuclear weapons. But it is also the latest episode in the wider war against Israel launched in late 2023 by Iran’s proxies.
Writer Meghan Daum talks to Iona Italia about her new essay collection, The Catastrophe Hour.
The post-Cold War democratic wave has receded and the free world now appears to be learning from authoritarian regimes instead of the other way around.
Fertility decline is not merely a demographic curiosity—it is a structural challenge with civilisational implications. So why are people so reluctant to take it seriously?
A leading expert in narcissism explains why it’s so often misunderstood—and why narcissists deserve more empathy, not armchair diagnosis on social media.
‘Ragtime,’ E.L. Doctorow’s forgotten novel of Progressive Era New York, is a reminder of how much American politics have changed over the past century.
For at least some, globalising the Intifada means exporting the tactics of Hamas to the West, thus threatening peaceful liberal societies everywhere.
Disney’s awful new Snow White adaptation fails to recreate or even understand the story it is trying to tell.
The situation of South African “whites” is worse than Donald Trump's critics are willing to acknowledge.
How open societies can meet the challenge of meaning.
A new collection of Murray Kempton’s articles reveals a thoughtful journalist whose politics were difficult to categorise.
Dancer and choreographer Rosie Kay talks to Quillette podcast host Jonathan Kay about the three radioactive political topics that can derail an artist’s career.