Cultural Revolution in the Renaissance?
The problem with this picture of the Renaissance is not that it has no truth to it—it certainly has some—but that it is perversely unbalanced.
A collection of 359 posts
The problem with this picture of the Renaissance is not that it has no truth to it—it certainly has some—but that it is perversely unbalanced.
Even in the darkest period of economic and political collapse, the chain of urban societies that stretched across the Old World was never broken.
Much of today’s madness results from the failure to impart that lesson, a failure in which those ostensible repositories of enlightenment (the nation’s institutions of higher learning), obstinately committed to inflaming self-pity and self-importance, are indisputably and indefensibly complicit.
One possibility is that morality is dependent on local circumstances and facts about social order and organization.
The Hagia Sophia was the brainchild of a unique figure in history.
The US’s hegemonic period, now shrinking, often looked like empire, especially the British version, which it mostly replaced.
Contemplation of such great age is intrinsically moving, perhaps because it releases us from the oppressive clamour of the moment.
And this neo-totalitarianism has learned from the past: It has its inquisitions, its auto-da-fes, its purges and cultural revolutions, reeducation and self-criticism sessions, and above all the ostracization and ultimate erasure of dissidents.
So in the end, slavery, the slave trade and imperialism were not only morally disgusting but also of dubious economic value.
For classical liberals, Hong Kong had been a beacon of hope for half a century.
Cook is best understood as a quintessential figure of the European Enlightenment, with all the consequences flowing from that, positive and negative.
Stalin publicly misused the term so often, in fact, that Princeton history professor Stephen Kotkin has suggested he lacked a fundamental understanding of the word’s meaning.
Gregg finishes the book by concluding that the success of Western civilisation rests on the “four theses” of creation, freedom, justice, and faith.
The War of Return is an important book and, unquestionably, a welcome corrective to the plethora of myths, lies, and misconceptions that litter the discourse on the Israeli-Palestinian conflict.
In Pepys’s time a scarlet cross on the door denoted an infected household and sentinels stood guard outside to keep people inside.