A collection of 734 posts
Dancer and choreographer Rosie Kay talks to Quillette podcast host Jonathan Kay about the three radioactive political topics that can derail an artist’s career.
Chimamanda Adichie’s new novel is refreshingly defiant of liberal orthodoxies.
What the Korean hit gets wrong about capitalism and right about government.
The first and largest mistake Douthat makes in his new book is to argue that faith and rationality are mutually supportive.
The Blues Brothers (1980) fostered a renewed appreciation of some of the best music America has ever produced.
Modern literature’s tiresome preoccupation with misery and victimhood is neglecting whole swathes of the human experience.
When British sculptor Thomas J Price explains that his “strategy of inclusion” will counter the “endless stream of limiting tropes and identities for Black people,” he is inadvertently mimicking totalitarian injunctions.
What we lose when the rigour of science and journalism gives way to an aural and visual narrative culture.
‘Rebel Without a Cause’ remains a landmark classic, seventy years after its release.
Despite serious flaws, ‘Captain America: Brave New World’ is much better than Marvel’s recent offerings. Perhaps the franchise may have turned the corner.
Many of the people involved in Uberto Pasolini’s new screen adaptation of Homer’s ‘Odyssey’ are intimidatingly talented. It’s a pity, then, that the film is such a disaster.
Just six months after it was released by Netflix, Anna Kendrick’s feminist film about a real serial killer already looks like an ideological relic.
Let us not confuse the freedom to speak with the freedom to mislead.
Éric Rohmer’s films demand patience and close attention, but they are immensely rewarding for those able to tolerate the absence of spectacle.
Adolescence is a moving work of art but a misleading representation of the challenges facing British boys.