DEI’s Beleaguered True Believers, in Their Own Words
When ‘decolonial change alchemist’ Sabrina Meherally instructed her ‘white allies’ to divulge their pay rates and demographic details, many eagerly complied.
When ‘decolonial change alchemist’ Sabrina Meherally instructed her ‘white allies’ to divulge their pay rates and demographic details, many eagerly complied.
A scholarly journal published pro-Palestinian activism dressed as dispassionate media analysis—and then refused to retract the paper after its shoddy methodology was pointed out.
In advance of Monday’s nation-wide vote, Jonathan Kay discusses Justin Trudeau’s resignation, Pierre Poilievre’s bad luck, the rise of Mark Carney, and the effects of Donald Trump’s tariffs on Canadian politics.
Just six months after it was released by Netflix, Anna Kendrick’s feminist film about a real serial killer already looks like an ideological relic.
The neoliberal turn was a pragmatic response to failed economic intervention and yielded broadly positive results.
Let us not confuse the freedom to speak with the freedom to mislead.
The cure may be worse than the disease.
Joe Sacco’s graphic works provide vivid and moving depictions of the terrible suffering in the Strip. But his accounts of the causes of that suffering are simplistic and one-sided in the extreme.
This is not the first time Germany has resorted to censorship in the mistaken belief that the state can contain dangerous ideas. The last time they tried this, it facilitated the rise of the Nazis.
Focusing on the handful of papers that are retracted for political reasons can obscure the more important problems afflicting the field of academic publishing.
In a recent speech delivered at the University of Western Ontario Faculty of Law, a Quillette editor describes lessons he learned while investigating the school’s teachers college.
Quillette podcast host Jonathan Kay speaks with author and TED Talker Lenore Skenazy, whose campaign to give children more opportunities for independent play and learning once earned her the title of ‘America’s Worst Mother.’
Éric Rohmer’s films demand patience and close attention, but they are immensely rewarding for those able to tolerate the absence of spectacle.
Last week’s TED Talks in Vancouver featured dozens of brilliant speakers. But the earnest belief that big new ideas can save humanity from itself now feels painfully dated.