Joys Known Only to the Insane
In Hereditary and Midsommar, Aster's characters search for their place in the world—and can only find it by embracing evil.
A collection of 7 posts
In Hereditary and Midsommar, Aster's characters search for their place in the world—and can only find it by embracing evil.
For all its decorative asides about predatory male sexuality, ‘The Substance’ is most coherently understood as a morality tale about the folly of feminist illusions.
John Krasinski’s dystopian horror trilogy imagines a biblical plague visited on the din of modernity.
Ti West’s clever and original ‘X’ trilogy is elevated postmodern horror at its finest and its director’s best work to date.
Jay Anson’s haunted-house yarn was a highly lucrative hoax, but it struck a popular chord amid the financial precarity of 1970s America.
William Friedkin’s horror classic is 50 years old.
In the pitiless moral universe of writer-director Sam Raimi’s 2009 horror film ‘Drag Me to Hell,’ guilt isn’t easily absolved and debts must always be paid in the end.