The Gospel According to Pasolini
Pasolini's 1964 film reimagines the gospels as fundamentally Jewish stories.
A collection of 34 posts
Pasolini's 1964 film reimagines the gospels as fundamentally Jewish stories.
‘Psycho’ deserves recognition as a classic film for the festive season.
In Hereditary and Midsommar, Aster's characters search for their place in the world—and can only find it by embracing evil.
Before Han Solo and Indiana Jones, there was another Harrison Ford, a star of silent cinema.
From the Iliad to Mission: Impossible, creators have wrestled with the question of how much universe-building is too much.
The Blues Brothers (1980) fostered a renewed appreciation of some of the best music America has ever produced.
Despite serious flaws, ‘Captain America: Brave New World’ is much better than Marvel’s recent offerings. Perhaps the franchise may have turned the corner.
Against long odds and in the face of exclusionary casting, Anna May Wong bequeathed us an extraordinary cinematic legacy.
Like a Hieronymus Bosch painting, it’s chaos alright—but it’s a dazzling chaos.
Al Pacino’s personal life has been a bit of a train wreck, but his new memoir leaves no doubt that acting has been the most important thing in his life.
Chinatown is noir at its bleakest, yet most stylish.
Fifty years of Robert Cormier’s “classic” young-adult novel is more than enough.
An account of all the lives Corman touched, the careers he helped to jump-start, and the genres he pioneered would fill several books.
Peter Benchley’s ‘Jaws’ turns 50.
Most new movies feature neither good storytelling nor innovative filmmaking. Instead, they rely on the nostalgia of ready-made fan bases.