American Carnage
Alex Garland’s spectacular new film ‘Civil War’ is a warning of what can happen to democracies when civil society collapses.
A collection of 721 posts
Alex Garland’s spectacular new film ‘Civil War’ is a warning of what can happen to democracies when civil society collapses.
After half a decade of critical adulation, Godard’s career slumped into doctrinaire Maoism, bitterness, incomprehensibility, and irrelevance. It never recovered.
Today, most of John Braine’s work is out of print and forgotten. But he was an underrated writer, unafraid to confront the complexities of masculine sexuality with terse precision, self-deprecation, and emotional candour.
A brief five-year period produced nearly all the Godard movies that film aficionados still remember, but even these celebrated works have dated poorly.
John Landis’s 1978 comedy classic ‘Animal House’ is a time capsule from an era when humor and campus politics were very different.
In the ninth instalment of ‘The So-Called Dark Ages,’ Herbert Bushman describes a Roman diplomat’s famous fifth-century journey into the heart of Hunnic territory.
Attending to Shakespeare on his own terms may allow us to reclaim the erotic warmth that is latent in our human condition.
A look back at J.G. Ballard's ‘Crash’—one of the the 20th century’s greatest and most disturbingly prophetic novels.
Forty-five years ago, Christopher Lasch identified what has become a defining feature of modern activism—“the ever-present, neurotic need to be recognized and affirmed.”
Werner Herzog’s new memoir provides a look back on the magisterial and occasionally maddening career of a cinematic visionary.
An Artist's Response to James Kierstead’s “The Elgin Marbles: Playing for Keeps"
A tribute to an irrepressible TV star’s ability to live long and prosper.
If we siphon off all female diversity into categories like 'non-binary' we narrow the idea of what it means to be a woman.
Metamodernism conveys the experience of living in a world in which we feel comfortable oscillating between different perspectives.
Efforts to produce a worthy film adaptation of Frank Herbert’s ‘Dune’ seemed doomed to failure—until Denis Villeneuve gave us his two-part blockbuster.