Architecture as Revenge
Brady Corbet’s panoramic epic, ‘The Brutalist,’ may be technically brilliant, but it is a cheat and a fraud.
A collection of 734 posts
Brady Corbet’s panoramic epic, ‘The Brutalist,’ may be technically brilliant, but it is a cheat and a fraud.
If Bach was the sound of God whistling while he worked, AC/DC was the sound of God ordering another round in a strip club on Saturday night.
A tribute to David Lynch (1946–2025).
Jodi Picoult’s latest novel is a ham-fisted expression of cultural rage, embodying the most anodyne values of corporate human-resources departments.
Against long odds and in the face of exclusionary casting, Anna May Wong bequeathed us an extraordinary cinematic legacy.
A brief history of Bob Dylan on screen.
The magisterial incomprehensibility of Bob Dylan’s ‘Visions of Johanna.’
The naysayers are dead wrong about James Mangold’s remarkable new film about Bob Dylan and the Greenwich Village folk scene of the early 1960s.
Dostoevsky and the case of Luigi Mangione.
Gints Zilbalodis’s beautiful dystopian story feels like the start of a new era in cinema, or at least the invitation to one.
A new version of Tinto Brass and Bob Guccione’s notorious 1979 film ‘Caligula’ provides a valuable record of one of the most fascinating disasters in cinema history.
Like a Hieronymus Bosch painting, it’s chaos alright—but it’s a dazzling chaos.
‘Megalopolis’ and the rise and fall of Francis Ford Coppola.
So that’s how a fatherhood ends. A few UPCs, like those you find on packs of toilet tissue, delivered via email.
Jay McInerney’s debut novel was the first work of fiction to explore yuppie culture, and its success changed American publishing.