Because the Night Belongs to Lovers
Love is transformative—and in A Midsummer Night’s Dream, Shakespeare is clear-sighted about the fact that that transformation can be for the worse.
A collection of 782 posts
Love is transformative—and in A Midsummer Night’s Dream, Shakespeare is clear-sighted about the fact that that transformation can be for the worse.
The campaign to strip novelist John Boyne of his Polari Prize longlist honour shows that gender extremists still seek to control progressive arts subcultures—even as mainstream society rejects their illiberal movement.
A tribute to the man who helped to revolutionise modern rock music and reality TV.
If leading media critics don’t expect much, filmmakers won’t deliver much.
Robert Altman’s ‘Nashville’ is fifty.
Disco Demolition Night was an early episode of culture and counterculture being saddled with far greater political significance than they deserved.
Ian Penman has published an eccentric new book about Erik Satie, a French surrealist composer and celebratory nuisance with a tiny oeuvre and massive influence.
How journalism exchanged the duty to inform for an ethic of customer satisfaction.
The assumption that once drove creative writing—that interior life deserves as much respect and interest as the latest bump in relations at the White House—no longer obtains.
Before Han Solo and Indiana Jones, there was another Harrison Ford, a star of silent cinema.
From the Iliad to Mission: Impossible, creators have wrestled with the question of how much universe-building is too much.
Twenty years after his death, what Hunter S. Thompson’s legacy—or lack of it—tells us about literature and manhood in our current moment.
Matthew Gasda’s new novel unfolds in a haze of empty dialogue and overwrought introspection.
Seduction and submission in the work of the Marquis de Sade.
‘Ragtime,’ E.L. Doctorow’s forgotten novel of Progressive Era New York, is a reminder of how much American politics have changed over the past century.