Many psychological and behavioural gaps between men and women have widened in more gender-equal countries, dealing a major blow to sociological theories of sex differences.
Brady Corbet’s panoramic epic, ‘The Brutalist,’ may be technically brilliant, but it is a cheat and a fraud.
If they manage to stay on REDnote long enough, former TikTokers will surely begin to notice that all is not as it seems in modern China.
A 2020 study found that black newborns attended by white doctors die at twice the rate of those in the care of black doctors. The study’s refutation last year has not altered the progressive narrative of systemic racism in medicine.
If Bach was the sound of God whistling while he worked, AC/DC was the sound of God ordering another round in a strip club on Saturday night.
A tribute to David Lynch (1946–2025).
Jodi Picoult’s latest novel is a ham-fisted expression of cultural rage, embodying the most anodyne values of corporate human-resources departments.
Against long odds and in the face of exclusionary casting, Anna May Wong bequeathed us an extraordinary cinematic legacy.
A brief history of Bob Dylan on screen.
The magisterial incomprehensibility of Bob Dylan’s ‘Visions of Johanna.’
The naysayers are dead wrong about James Mangold’s remarkable new film about Bob Dylan and the Greenwich Village folk scene of the early 1960s.
Dostoevsky and the case of Luigi Mangione.
Our experience of the world is increasingly mediated by digital technology. This is stripping us of our sense that the physical landscape is infused with meaning.
Gints Zilbalodis’s beautiful dystopian story feels like the start of a new era in cinema, or at least the invitation to one.
Editor-in-chief Laura Helmuth’s departure from ‘Scientific American’ last week is an object lesson in the dangers of mixing facts and ideology.