Rohmer at Camelot
Éric Rohmer’s Perceval le Gallois (1978) vividly recreates the imaginative world in which the people of the Middle Ages lived inside their heads.
Éric Rohmer’s Perceval le Gallois (1978) vividly recreates the imaginative world in which the people of the Middle Ages lived inside their heads.
Luc Besson’s romantic adaptation of the Dracula story owes an unacknowledged debt to Eiko Ishioka, the visionary designer of Francis Cord Coppola’s 1992 classic.
Most of today’s “artificial intelligence” is better described as artificial autocomplete than artificial mind.
The central risk of AI is not that machines will become malevolent. It is that human incentive structures, amplified by scalable technology, outrun our ability to govern them.
Indigenous “Ways of Knowing” have no place in British Columbia’s school science curriculum.
The contributions of Robert Trivers belong in the special category of ideas that are obvious once they are explained, yet eluded great minds for ages; simple enough to be stated in a few words, yet with implications that have busied scientists for decades.
Nick Cave’s beautiful and tragic music brings redemptive catharsis to a grief-stricken city.
‘Avatar: Fire and Ash’ is a Rousseau-esque oikophobic fantasy of evil humans and noble savage aliens.
A new book by Elizabeth Scott-Baumann examines the female poets and literary critics who challenged seventeenth-century England’s male literary establishment.
Why art and science serve different ends.
How we learned to reason poorly with accurate data.
Emerald Fennell’s misbegotten adaptation of ‘Wuthering Heights’ destroys the very structure of Emily Brontë’s classic story.
Andrew Mountbatten-Windsor, Mick Jagger, and the theatre of degradation.
The sad and curious case of the chronic fatigue syndrome.
A selection of Quillette essays and interviews examining the cultural, scientific, and legal dimensions of gender identity.