Master of Cinema
Éric Rohmer’s films demand patience and close attention, but they are immensely rewarding for those able to tolerate the absence of spectacle.
A collection of 112 posts
Éric Rohmer’s films demand patience and close attention, but they are immensely rewarding for those able to tolerate the absence of spectacle.
Alexandre Dumas’s novel is by turns an adventure story, a paean to bourgeois values, and a Greek epic. No wonder it continues to fascinate.
With ‘Emilia Pérez,’ Jacques Audiard created—intentionally or unintentionally—a subversive assault on every plank of the current transgender credo.
On eros and marriage.
Richard Bernstein’s new book about Al Jolson and ‘The Jazz Singer’ offers a thoughtful reconsideration of an unfairly reviled cultural landmark.
Brady Corbet’s panoramic epic, ‘The Brutalist,’ may be technically brilliant, but it is a cheat and a fraud.
A tribute to David Lynch (1946–2025).
Against long odds and in the face of exclusionary casting, Anna May Wong bequeathed us an extraordinary cinematic legacy.
A brief history of Bob Dylan on screen.
The naysayers are dead wrong about James Mangold’s remarkable new film about Bob Dylan and the Greenwich Village folk scene of the early 1960s.
Gints Zilbalodis’s beautiful dystopian story feels like the start of a new era in cinema, or at least the invitation to one.
The real history of the era portrayed in Gladiator II is much more interesting, tumultuous, and murderous than Scott’s simpleminded yarn.
A new version of Tinto Brass and Bob Guccione’s notorious 1979 film ‘Caligula’ provides a valuable record of one of the most fascinating disasters in cinema history.
Like a Hieronymus Bosch painting, it’s chaos alright—but it’s a dazzling chaos.
For all its decorative asides about predatory male sexuality, ‘The Substance’ is most coherently understood as a morality tale about the folly of feminist illusions.