The Limits of Perfectionism
A look back at the cinema of Stanley Kubrick on the eve of a massive new Criterion retrospective.
A collection of 146 posts
A look back at the cinema of Stanley Kubrick on the eve of a massive new Criterion retrospective.
A look back at the heyday of cinema’s lurid Nazisploitation subgenre, from ‘Ilsa’ to ‘The Night Porter.’
John Updike, Alice Hoffman, and the golden age of “witch lit.”
Watching Gillo Pontecorvo’s film six decades after its release permits a nuanced understanding of the events that it portrays, which was unavailable when it first came out.
A new exhibition curated by Lars von Trier provides a fascinating look at who and what has influenced one of the world’s most prodigiously gifted and provocative filmmakers.
American individualism and the western, from Fred Zinnemann and John Ford to Larry McMurtry and Taylor Sheridan.
Lars von Trier’s harrowing but resplendent story of suffering and grace turns thirty this year.
Christopher Nolan’s creation is a big movie in every technical sense. But inside, it is diminished and faded: heroes who aren’t allowed to be heroes and gods who aren’t allowed to be gods.
The Grift Industrial Complex targeted Christopher Nolan’s The Odyssey—and got buried.
Christopher Nolan's Odyssey, shot entirely on IMAX cameras, is the newest chapter in an old story: technological innovation creating new forms of art.
When critics start issuing dictates, they end up excluding broad swathes of art and culture as well as whole areas of human experience.
Total disclosure, as Spielberg imagines it, is a beautiful thing to watch. It is also a fantasy.
Nearly 250 years on, Laclos’s novel of seduction and treachery continues to scandalise.
Outrage over a black Helen of Troy misunderstands the long Western tradition of radically reinventing classical myths.
It would be very difficult to make a great film from a source as flawed as Camus’s novel, but Ozon has managed to make a very good one.