Staring at the Sea
It would be very difficult to make a great film from a source as flawed as Camus’s novel, but Ozon has managed to make a very good one.
A collection of 132 posts
It would be very difficult to make a great film from a source as flawed as Camus’s novel, but Ozon has managed to make a very good one.
The new film 'Project Hail Mary' based on Andy Weir's bestselling novel, celebrates scientific problem-solving on a cosmic scale. There are striking parallels with David Deutsch's radical optimism.
Éric Rohmer’s Perceval le Gallois (1978) vividly recreates the imaginative world in which the people of the Middle Ages lived inside their heads.
Luc Besson’s romantic adaptation of the Dracula story owes an unacknowledged debt to Eiko Ishioka, the visionary designer of Francis Cord Coppola’s 1992 classic.
‘Avatar: Fire and Ash’ is a Rousseau-esque oikophobic fantasy of evil humans and noble savage aliens.
Emerald Fennell’s misbegotten adaptation of ‘Wuthering Heights’ destroys the very structure of Emily Brontë’s classic story.
Middlebrow movies weren’t just two-hour escape pods, they functioned as a civic glue, a source of shared language, cross-generational references, and indeed, contemporary American myth.
Stanley Kubrick’s comic masterpiece ‘Dr Strangelove’ remains a potent allegory for our times.
It appears that people now find comfort in the idea that the life of even the greatest of writers is no more satisfying than their own.
Radley Metzger’s 1975 hardcore adaptation of a celebrated literary hoax is a vast improvement on the cynical source material.
Culture is fragmented; it is about to become atomised.
Pasolini's 1964 film reimagines the gospels as fundamentally Jewish stories.
Richard Linklater’s film about the making of Jean-Luc Godard’s ‘À Bout de Souffle’ is a delight.
The author of ‘Eat Pray Love’ has returned with a new memoir, which features all the usual problems with her writing writ large.
‘The Man Who Would Be King’ turns fifty.