Art
When Sons Become Daughters, Part V: The Links Between Trans Identity, Gifted Minds, Categorical Thinking—And Anime
What follows is the fifth instalment of When Sons Become Daughters, a multi-part Quillette series that explores how parents react when a son announces he wants to be a girl—and explains why so many of these mothers and fathers believe they can’t discuss their fears and concerns with
Identity and the Self in 'Hamlet'
“Who’s there?” These are the two words that begin Shakespeare’s Hamlet. It is primarily this question, and not “To be or not to be?” with which Hamlet wrestles throughout the play. The two words are spoken from one soldier to another; Elsinore’s castle guards are on the
Splendid Triviality: Philosophy, Art, and Sport in a Time of Crisis
One of my philosophy professors in college remarked that philosophy flourishes in a time of decline or crisis. No, that doesn’t mean that philosophers all secretly pray for catastrophes. But it is true that darker times call for philosophical reflection and that philosophy, like the arts, might have something
With Theatres Shuttered, I Tried to Stage a 'Zoom Play.' (It Didn't Work)
I have always been a playwright. When my grade-six teacher told us to compose our imaginary life stories, mine was called Autobiography of a Playwright. Even back then, I was writing skits and persuading the neighbourhood kids to perform in them. My inspiration (and this will tell you something about
Struggling with Pixar’s 'Soul'
In the COVID era, my wife and I are homeschooling our small children. Their endless questions often send me to Google. Why do clouds change color? Where did language come from? Why did our ancestors paint on cave walls? They are not only curious about life after death, but also
Carl Th. Dreyer's 'Day of Wrath' and the Power of the Punished
NOTE: This essay contains spoilers. Part of what makes Carl Theodor Dreyer’s greatest films so rewarding is their moral ambivalence. The Danish director’s oeuvre spans several decades, from the 1910s to the 1960s, but it was in his final three feature films, Day of Wrath (1943), Ordet (1955)
The Death of Political Cartooning—And Why It Matters
Six years ago, on January 7th, 2015, two brothers armed with Kalashnikov rifles assaulted a building on Rue Nicolas-Appert in Paris, where they killed a maintenance man named Frédéric Boisseau and forced their way into the second-floor offices of the satirical magazine Charlie Hebdo. They asked for four cartoonists, by
Wide As the Sky and Deep As the Ocean
When Don Van Vliet—the painter and musician better known as Captain Beefheart—died 10 years ago today, the obituary in the New York Times described him as “an artist of protean creativity” whose 1969 avant garde rock masterwork Trout Mask Replica paved the way for the post-punk experimentation of
