The Man Who Wasn’t There
Richard Morton Jack’s comprehensive new biography of Nick Drake offers a glimpse of a brilliant but troubled soul.
Richard Morton Jack’s comprehensive new biography of Nick Drake offers a glimpse of a brilliant but troubled soul.
Richard Matheson, George R. Stewart, and the birth of the Calipocalypse.
When we create art, we are our best selves, better than the selves we are outside of art.
In the twentieth instalment of ‘Nations of Canada,’ Greg Koabel describes how Samuel de Champlain and Récollet missionaries established a fledgling French colony in what we now call Quebec City.
AI catastrophe is easy to imagine, but a lot has to go consistently and infallibly wrong for the doom theory to pan out.
Robyn Hitchcock’s new memoir takes us back to 1967—a year the British singer-songwriter never outgrew.
In a new book, Justine Firnhaber-Baker tells the story of the Capetian dynasty (987–1328), whose rulers stitched a set of medieval duchies and counties into a single kingdom.
In two new books, a journalist and an academic offer competing explanations for the extremist ideological tendencies within left-wing cultural, academic, activist, and political institutions.
The recycling industry—and the world at large—has yet to fully reckon with a bombshell study that dropped last year.
Fifty years of Robert Cormier’s “classic” young-adult novel is more than enough.
An account of all the lives Corman touched, the careers he helped to jump-start, and the genres he pioneered would fill several books.
Had he lived long enough to witness the fruits of liberal capitalism, perhaps Orwell would finally have accepted the failure of socialism.
The story of Hollywood’s most unlikely blockbuster franchise, Mad Max.
The new attention economy will always privilege the lowest common denominator in performance art, as it does in everything else.
Salman Rushdie’s new memoir, ‘Knife,’ describes the assassination attempt its author survived and offers a moving contemplation of mortality.