Why We Still Love the Bomb
Stanley Kubrick’s comic masterpiece ‘Dr Strangelove’ remains a potent allegory for our times.
A collection of 116 posts
Stanley Kubrick’s comic masterpiece ‘Dr Strangelove’ remains a potent allegory for our times.
It appears that people now find comfort in the idea that the life of even the greatest of writers is no more satisfying than their own.
Radley Metzger’s 1975 hardcore adaptation of a celebrated literary hoax is a vast improvement on the cynical source material.
Culture is fragmented; it is about to become atomised.
Pasolini's 1964 film reimagines the gospels as fundamentally Jewish stories.
Richard Linklater’s film about the making of Jean-Luc Godard’s ‘À Bout de Souffle’ is a delight.
‘The Man Who Would Be King’ turns fifty.
From Achilles to Anakin Skywalker, the messiah myth has evolved from religious prophecy to cautionary tale.
Susan Sontag’s 1974 essay about Leni Riefenstahl and fascist aesthetics displayed the critic at her most stiflingly moralistic and aristocratic.
A new book looks back on the making of Billy Wilder’s American classic.
If leading media critics don’t expect much, filmmakers won’t deliver much.
Robert Altman’s ‘Nashville’ is fifty.
Before Han Solo and Indiana Jones, there was another Harrison Ford, a star of silent cinema.
Disney’s awful new Snow White adaptation fails to recreate or even understand the story it is trying to tell.
The Blues Brothers (1980) fostered a renewed appreciation of some of the best music America has ever produced.