Author: Julian Vigo

Trans Activists’ Campaign Against ‘TERFs’ has Become an Attack on Science

Published by Julian Vigo

In a recent article for Forbes, “The Vaccination Debacle,” I discussed the frightening rise in the number of European measles cases. The reason for the spike is simple: Fed a daily online diet of nonsense and ideologically motivated activism, many people have come to reject mainstream medical science—including the science behind vaccinations. You’d think that “get vaccinated” would be a relatively straightforward message. But in the days following the article’s publication, I received a good dozen emails from doctors thanking me for writing the piece, and describing how difficult it has become to convince some patients that their local paediatrician isn’t part of an international conspiracy. But at least the effort to push back against anti-vaccination conspiracy theories is seen as a respectable form of discourse. In other spheres, it’s not so easy to speak common sense. Consider, for instance, last year’s saga involving Rebecca Tuvel—who was hounded by trans activists and scholars after applying a theoretical application of transgender ideology to the idea of “trans-racialism.” Scandalously, the article in question was edited post facto …

Why Do We Feel the Need to Transgender the Dead?

Published by Julian Vigo

Earlier this month, a list of vaudeville-era “non-binary and transgender public heroes” compiled by actor Jeffrey Marsh was circulated widely on social media. The accompanying photos are fascinating, which helps explain why the list has been re-Tweeted more than 7,000 times. But notwithstanding the above-quoted title, only one of the listed entertainers are actually transgender. Nor did any of them call themselves “non-binary”—since the term didn’t exist until recently. Rather, what Marsh actually has provided is a list of people who cross-dressed—a practice that was common in the days of vaudeville and early cinema, largely because audiences found it entertaining. One of the listed figures is Marlene Dietrich, who dressed in male clothing and kissed another woman in the 1930 film Morocco. But Dietrich was not trans, even if, like many of her stage contemporaries—including Bessie Bonehill, Vesta Tilley, Ella Wesner and Gladys Bentley—she experimented with gender-bending. (The word Dietrich would have used to describe this practice, I suspect, would have been acting). Marsh’s statement that Dietrich “openly dated folks of various genders” is inaccurate …

The Commodification of Learning and the Decline of the Humanities

Published by Julian Vigo

In “The Dying Art of Disagreement,” published in The New York Times last Autumn, Bret Stephens discusses our failure to have reasoned discussions, stating: “We no longer just have our own opinions. We also have our separate ‘facts,’ often the result of what different media outlets consider newsworthy.” Stephens elaborates on the ways in which the polarisation of opinion has become personal, to the extent that facts remain up for debate, weighed against feelings he claims are “purchased at the cost of permanent infantilization.” He implores his readers to embrace an education model that does not seek fixed answers but instead opens up texts and ideas to interrogation. Many of us in academia have struggled with this very problem—how are we to revive a spirit of inquiry in the classroom during an era of great pressure to conform to fashionable theoretical trends and hip analyses? One interesting facet of Stephens’s text is that he calls up the 1987 Allan Bloom best-seller, The Closing of the American Mind.  Yet, Stephens has reframed the prevailing and more …