Elena Shalneva

Elena Shalneva

Elena Shalneva writes about books, film, and culture. Her work has appeared in Standpoint, City AM, and the Article.

Against Dilettantes

Against Dilettantes

“Welcome to the country of amateurs,” a good friend said when I first arrived in England. That was 20 years ago and, now that I’ve had time to think about it, my friend stands corrected. He should have said, “Welcome to the country of dilettantes.” Because there is a

Elena Shalneva
Elena Shalneva
Education
Postmodernism: Some Corrections and Clarifications

Postmodernism: Some Corrections and Clarifications

Before I proceed with a brief discussion of postmodernism and its contribution to the 20th century thought, a clarification: contrary to the common view, the “modernism” part of the word “postmodernism” does not denote “modernity.” Such an interpretation is wrong (and also raises the question of why postmodernism had not

Elena Shalneva
Elena Shalneva
Books
In Defence of the Humanities

In Defence of the Humanities

The Australian government’s recent decision to cut funding for university courses in the arts and humanities was greeted with rapturous delight by many commentators I respect. In addition to encouraging students to pursue “job-friendly” subjects such as STEM and nursing, the move was interpreted as a flip-off to the

Elena Shalneva
Elena Shalneva
Education
The Purpose of Imaginative Fiction

The Purpose of Imaginative Fiction

When I learned that the 2020 International Booker Prize was going ahead in spite of London’s lockdown, I rejoiced at the organisers’ resourcefulness and resilience. But then I began reading the posts about this year’s prize on the Booker website and my enthusiasm dwindled. Surveying press responses to

Elena Shalneva
Elena Shalneva
Books
That Elusive Feeling We Call Love

That Elusive Feeling We Call Love

Every writer worth reading—from the good to the great to the canonical—has, at some point or other, explored the subject of love. Yet, despite some striking insights and equally striking metaphors, none of these writers has been able to answer the question of what love is. I don’

Elena Shalneva
Elena Shalneva
Top Stories
Work—the Tragedy of Our Age

Work—the Tragedy of Our Age

The only text I vividly remember from my university semester in Classics is a poem by Hesiod entitled Works and Days. I read Homer, of course, and Virgil, and Ovid, and the three tragedians, but their texts have long become a blur of strange names, strange desires, inventive use of

Elena Shalneva
Elena Shalneva
Top Stories
‘Girls Need Female Role Models’ and Other Bromides

‘Girls Need Female Role Models’ and Other Bromides

There are a handful of dictums in the modern feminist discourse that are so omnipresent, so incontrovertible, so apparently obvious, that, whenever they are pronounced, the only appropriate reaction is enthusiastic head-bobbing. Or, if you prefer, solemn brow-knitting. Like two plus two equals four, these dictums are axioms, not to

Elena Shalneva
Elena Shalneva
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