Author: Craig DeLancey

Policing the Creative Imagination

At a time when activist displeasure can sweep through social media and destabilize reputations and nascent careers overnight, publishers are taking unprecedented steps in an effort to mitigate the risks. Among these is the use of sensitivity readers—individuals tasked with reading a work of fiction prior to publication in an effort to determine whether or not offense is likely to be caused by an author’s portrayal of characters from demographics considered marginalised or historically oppressed. Many readers, I suspect, will have become aware of this emerging trend following a series of nasty controversies in the world of Young Adult publishing. In 2017, a fantasy novel by Kiera Drake entitled The Continent was attacked for its allegedly racist portrayal of Native Americans. The novel was hastily rewritten following guidance from sensitivity readers. In January of this year, Amelie Zhao’s debut novel Blood Heir, set in a fantastical version of medieval Russia, was denounced online because its portrayal of chattel slavery was deemed insufficiently sensitive to America’s own racist history. In response, Zhao thanked her persecutors profusely …

Albert Camus: Unfashionable Anti-Totalitarian

Today, it is not unusual to see Albert Camus celebrated as the debonair existentialist—the handsome hero of the French Resistance, a great novelist, and a fine philosopher. But this reputation was only recently acquired. For much of his life, and in the years since his untimely death in 1960 aged just 46, Camus was deeply unfashionable among France’s leading intellectuals. In many quarters, he remains so. Camus came to widespread attention in 1942 with his publication of his novella The Stranger and a philosophical essay entitled “The Myth of Sisyphus.” The Stranger portrays a solitary passionless man wandering through a world without pattern or purpose. “The Myth of Sisyphus” grapples with the question, “Why not commit suicide?” Camus argued that we should not, but he finds little evidence of a justified purpose for human beings. If we cannot prove that some choices are better than others, he concludes, we can at least dedicate ourselves to the pursuit of experience. The austerity and boldness of these two works struck Camus’s contemporaries as remarkable and, within a …