Author: Clint Margrave

Bukowski: Recommended Reading for the Damned

There is enough treachery, hatred, violence, Absurdity in the average human being To supply any given army on any given day. So begins one of Charles Bukowski’s most iconic poems, “The Genius of the Crowd.” Even though it was first published in 1966, it seems particularly poignant in our era of outrage. BEWARE THE PREACHERS Beware The Knowers. […] BEWARE Those Quick To Censure: They Are Afraid Of What They Do Not Know Bukowski, born in 1920 in Andernach, Germany to a German-American father and German mother, moved to Los Angeles when he was two years old and would live there for the rest of his life. Although his novel Ham on Rye, an autobiographical account of his abusive childhood, is an American masterpiece, and his short story, “The Most Beautiful Woman in Town,” a sad tale about a woman who gashes her face to make herself less beautiful, is comparable to anything Hemingway or Cheever wrote, it was in poetry where Bukowski’s strength really lay. Bukowski died 25 years ago. Were he still alive, …

The Impassable Road to Redemption

Oops! That page can’t be found. This is what I find when I click on the author link that says “Frank Sherlock—Bloof Books.” Before clicking, I catch a preview in my search results of what was once there. A photograph of the short-haired, bearded poet, wearing a white collared shirt and black blazer, pink background behind him, a partial bio: “Frank Sherlock is the author of Life Is to Blame for Everything, Space Between These Lines, Not Dedicated, Over Here, The City Real & Imagined (w/CA Conrad), and a collaboration with Brett—“ Nothing was found at this location. Try searching or check the links below. Nothing may be found, but surely, something has been lost. The former Philadelphia poet laureate had recently admitted on Facebook that he’d played in a racist skinhead band as a poor and misguided teenager back in the late 1980s, after he was outed by another poet. Sherlock was probably nervous about the risk he was taking. Would his followers understand? Was an artist required to disclose everything about his past to the …

Poetic Injustice and Performative Outrage

On February 13, after almost a two month delay due to the U.S. government shutdown, the National Endowment for the Arts finally announced its recipients for the 2019 Creative Writing Fellowship in poetry. For most of the winners, this was an occasion to celebrate on social media. But for Rachel Custer, the elation of finally being able to announce the prestigious grant (one of 35 out of nearly 1700 applicants) came with the dreadful anticipation of the outrage that would (and did) predictably follow. This was nothing new for her. Last summer, when Anders Carlson-Wee proudly announced the publication of his new poem, “How-To,” on Facebook, Custer was at home in rural Northern Indiana, watching as controversy erupted online. “I felt that sick feeling in my stomach,” she says, as the initial joy of Carlson-Wee’s post got quickly sucked out with each hateful comment he received. “I knew so well from the many times I read similar threads about myself. And I just felt immensely bad for him, and so disdainful of anybody who would say …