It Don’t Worry Me
Robert Altman’s ‘Nashville’ is fifty.
A collection of 69 posts
Robert Altman’s ‘Nashville’ is fifty.
Disco Demolition Night was an early episode of culture and counterculture being saddled with far greater political significance than they deserved.
Ian Penman has published an eccentric new book about Erik Satie, a French surrealist composer and celebratory nuisance with a tiny oeuvre and massive influence.
Bob Vylan’s “death to the IDF” chants at Glastonbury reveal how Britain’s economic despair has radicalised a generation and threatens to revive ancient hatreds.
The Blues Brothers (1980) fostered a renewed appreciation of some of the best music America has ever produced.
Éric Rohmer’s films demand patience and close attention, but they are immensely rewarding for those able to tolerate the absence of spectacle.
Classical music was one of the first fields to impose the self-censorship that now pervades so many areas of intellectual and cultural life.
A tribute to groundbreaking pop star Melanie Safka (1947–2024).
Eminem’s music helped him to cope with his own suffering. It also helped his listeners cope with theirs.
If Bach was the sound of God whistling while he worked, AC/DC was the sound of God ordering another round in a strip club on Saturday night.
A brief history of Bob Dylan on screen.
The magisterial incomprehensibility of Bob Dylan’s ‘Visions of Johanna.’
The naysayers are dead wrong about James Mangold’s remarkable new film about Bob Dylan and the Greenwich Village folk scene of the early 1960s.
Steve Albini and the new problem with music.
As the Bad Seeds begin touring their acclaimed new album, ‘Wild God,’ Quillette chatted with Australian academic and “Caveologist” Tanya Dalziell about the artist’s music, ideas, and enduring appeal.