Author: Maximilian Werner

Postmodernism’s Dead End

As an undergraduate studying English at the University of Utah, I was required to take Introduction to the Theory of Literature. The course was a disaster. I was an awful student of critical theory. Like most burgeoning English majors I knew at the time (the early 1990s), I wanted to read and write literature, not to study what people had decided it meant to read and write literature. And then there was the professor who headed the class. He had a pretentious fondness for the French deconstructionist Derrida that I did not understand, partly because I did not understand Derrida himself, and partly because as a teacher this fellow was so single-minded that he could not reach any but the most earnest students. After class, I would often see him in the cafeteria, where he would practice his French with a colleague who also taught theory for the department. I guessed they were talking about Derrida, but who could say? Together, these elements would constitute my introduction to the baffling world of postmodern theory. I …