This essay contains spoilers. What can a film made in 1960 tell us about the sexual mores of the present? I found myself pondering this question as I rewatched Billy Wilder’s award-winning drama The Apartment recently. The year of its release is important: as The Guardian’s Andrew
Stendhal’s De l’Amour, Mongie, Paris, 1822 Insomnia has its hazy, surreal benefits. “If you’ve never read Stendhal’s On Love, well, you should,” my professor informed me, in a rapid-fire email exchange that took place, improbably, at 3:31 AM. (Somehow, we were both awake.
Let’s say that you, like many Quillette readers, are part of the broad coalition that aims to promote greater engagement with dangerous ideas and fight political correctness – call it cultural libertarianism if you wish, but in reality the coalition includes many social conservatives and others who don’t really