14 Search Results for: john paul wright

The Neurodiversity Case for Free Speech

Editor’s note: this article was updated on August 6th 2017, to better reflect current terminology relating to neurodiversity. Imagine a young Isaac Newton time-travelling from 1670s England to teach Harvard undergrads in 2017. After the time-jump, Newton still has an obsessive, paranoid personality, with Asperger’s syndrome, a bad stutter, unstable moods, and episodes of psychotic mania and depression. But now he’s subject to Harvard’s speech codes that prohibit any “disrespect for the dignity of others”; any violations will get him in trouble with Harvard’s Inquisition (the ‘Office for Equity, Diversity, and Inclusion’). Newton also wants to publish Philosophiæ Naturalis Principia Mathematica, to explain the laws of motion governing the universe. But his literary agent explains that he can’t get a decent book deal until Newton builds his ‘author platform’ to include at least 20k Twitter followers – without provoking any backlash for airing his eccentric views on ancient Greek alchemy, Biblical cryptography, fiat currency, Jewish mysticism, or how to predict the exact date of the Apocalypse. Newton wouldn’t last long as a ‘public intellectual’ in modern American culture. Sooner or later, …

Bald Men Fighting Over a Comb: Arguments About the Classical Tradition

Part II: A review of The Lesbian Lyre: Reclaiming Sappho for the 21st Century by Jeffrey Duban. Clairview Books (30th June 2016). The classical tradition in literature is essentially dead. The English poet Alice Oswald may be the only prominent contemporary writer who has read deeply in Latin and Greek poetry. A few other poets (Ruth Padel, Anne Carson, Alice Stallings) have made names for themselves as classicist-poets; though their contributions to literature and scholarship have been uninspiring; their work is more often praised than read. Most of the praise comes only from Classics teachers, or others easily impressed by a thin veneer of learning. It is impossible to name a novelist, short-story writer or playwright active today who engages seriously with classical history, myth or literary form. Jeffrey Duban tries valiantly to revive the tradition in his ambitious, pugnacious, eccentric, sprawling new book The Lesbian Lyre: Reclaiming Sappho for the Twenty-First Century. This is not all Duban tries to do: he also provides a learned introduction to ancient Greek lyric poetry, offers translations of …

You Are Not Important: Defund Identity Culture

The Australia Council for the Arts, state Arts ministries, Humanities faculties, the Australian Broadcasting Corporation (ABC), and the Special Broadcasting Service (SBS) should not force taxpayers to fund work that explores the desert of identity and rejoices at mirages. Today, one encounters examples of identity culture in multiple artistic fields. “Join us to explore the meaning of identity,” wrote the Director of the 2016 Melbourne Writers Festival on the program’s welcome page. The Director of the Melbourne Conservatorium, Gary McPherson, lists identity among his principal research topics. Pamela Burnard, a Cambridge professor and Melbourne University alumnus, considers identity of supreme importance. According to Burnard, academics and music teachers must “understand the voices and the multi-voicedness of students” and celebrate “diverse creativities” for the sake of an “emergent ecology.” (I do not know what this means.) John Gray, the well-known critic of liberal humanism, referred to Burnard’s ilk as members of “increasingly marginal universities.” The more that twenty-first-century societies lose interest in the Humanities, the more Humanities academics pretend to address everyone, promote social participation, and …

Heritability and why Parents (but not Parenting) Matter

“…Who in the world am I? Ah, that’s the great puzzle.” — Alice from Alice’s Adventures in Wonderland by Lewis Carroll Like Alice, we’ve all pondered the question: “who am I?”  Moreover, we often couple it with the reasonable companion query: “how did I get to be this way.”  Not all of us are rich and famous, we can’t all bend guitar strings like Hendrix, and most of us will never have supermodel looks or the physical prowess of a professional athlete.  There is fascinating unity in all of us, though, concerning how we answer the question of “why am I this way” as opposed to some other possible version of myself.  Whether we credit them for our successes, or point at them as a hurdle that we had to clear, most of us implicate our parents when constructing a narrative about why we are the way that we are.  It’s not an unreasonable intuition.  But how we intuit about the world can mislead us; sometimes that “light at the end of your tunnel” is, …