All posts filed under: Feminism

From South American Anthropology to Gender-Crit Cancel Culture: My Strange Feminist Journey

I’m one of the many academics who’ve been “canceled” for having the wrong sort of opinion—or quasi-canceled, at least. As of this writing, I remain an associate professor of Anthropology at the University of Alberta. Since July 2019, I had also served as the department’s undergraduate programs chair. It was supposed to be a three-year appointment. But in late March, I was dismissed from that position due to informal student complaints to the effect that I had made them feel “unsafe” by articulating feminist critiques of current theories of gender. Earlier this month, my colleague Carolyn Sale wrote up an account of my case for the Centre for Free Expression blog at Ryerson University. As tends to be the case with these controversies, this in turn caused students and colleagues to scour my social media accounts in search of yet more “gender-critical” commentary. When they found it, they demanded that I be fired from my tenured position and charged with hate speech. Articles of the type you are now reading typically channel great anger, resentment, …

Ronan Farrow’s Botched Journalism is Troubling. The Response to It Has Been Worse

On January 9th, during jury selection for the sex-assault trial of Harvey Weinstein, Ronan Farrow tweeted that a “source” with knowledge of the proceedings had told him that “close to 50 potential jurors have been sent home” because they’d read his book, Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators. In fact, the number of jurors sent home for that reason was two, as a New York Times reporter had already noted. Source involved in Weinstein trial tells me close to 50 potential jurors have been sent home because they said they’d read Catch and Kill. — Ronan Farrow (@RonanFarrow) January 10, 2020 Twitter typically isn’t journalism, and Farrow wasn’t tweeting in his capacity as a reporter. But the fact that he believed the vastly inflated figure to be accurate, saw fit to boast to his followers about it, and even stood by the number when later challenged on it, is indicative of his robust sense of self-regard and the ease with which he is seduced by dramatic but dubious narratives. As …

No, COVID-19 Is Not a ‘Disaster for Feminism’

I wasn’t especially surprised to find an essay in the Atlantic calling the COVID-19 pandemic a “disaster for feminism.” But I am disappointed. It seems that the author, Helen Lewis, undervalues “women’s work” simply because it is unpaid labour. But to undervalue unpaid labour is to reaffirm corporate ideas of what constitutes valuable work. The denigration of home economics has always been a blind spot within feminism, which often champions traditionally male markers of professional and corporate success as success itself, rather than celebrating the un-corporatized nature of traditional female work. To repeat, I am not surprised by this anti-female logic at this late date, but I still find it disappointing. There are, of course, good reasons why feminists fought to emancipate women from the home. Economic independence transformed societies, economies, and the individual lives of many women, and allowed them to pursue intellectual, creative, professional fulfillment they had hitherto been denied. However, the kind of professional and capitalistic contemporary feminism (of which Lewis is apparently an adherent) seems to require the denigration of home …

How Anonymous, Unproven Accusations Turned Mike Tunison’s Career Into MeToo Road Kill

Mike Tunison has become the latest writer to go public with details of life among The Canceled. In a newly published essay, the Washington-Post-journalist-turned-restaurant-janitor explains what it’s like to go through the #MeToo false-accusation meat grinder and come out the other side with your career reduced to tiny shards. His friends and colleagues abandoned him, and he was unable to earn an income in his field—all thanks to writer Moira Donegan’s “Shitty Men in Media” list, a crowdsourced database that became a forum for anonymous, unproven allegations in 2017: Almost immediately after its release, a close friend of 10 years cut me off and hasn’t spoken to me since, even after I reached out to him. Day after day, I’m tortured by the thought that even more people will learn of the allegations or that I’ll be unexpectedly attacked for them online. Too often, I’ve found myself hanging out with friends as the discussion turned to celebrities being MeToo’d, and been incapable of revealing what happened to me. Sooner or later, I’ve feared, they’ll know, …

Are Contemporary Feminists Too Agreeable?

If you list all of the many thousands of words and phrases that can be used to describe someone’s personality, in English or in any other language, you will find that certain clusters begin to form. A word like ‘calm’ will likely be applied to someone who can also be described as ‘stable’ or ‘measured’ or ‘cool headed.’ So too someone who is ‘withdrawn’ will often also be ‘reserved,’ ‘dour,’ or ‘moody.’ Starting in the 1960s, psychologists began to systematically document these words and phrases and arrange them into a taxonomy. The result was the now famous Big Five personality model, which boils down all these descriptors to just five general traits: openness to experience, conscientiousness, extraversion, agreeableness, and neuroticism. Each of our personalities can be meaningfully described with reference to these traits and research has demonstrated that they are both relatively stable across a person’s lifetime and hugely influential in determining certain life outcomes. Of all of the Big Five, agreeableness is perhaps the most complex trait. It is, in a very basic sense, …

Please Stop Calling Yourself a ‘Feminist Badass’

I am the feminist who gets accused of “pearl clutching” in response to flagrant and reflexive uses of the word “fuck” and endless repeats of the word “vagina.” I don’t own a pair of pearls. But I’ll tell you why this vernacular makes me cringe. It’s not that it’s embarrassing as much as it’s a way of gesturing at being radical without really being radical at all. It’s a kind of shorthand edginess, which means it’s a shortcut to edginess. It’s essentially the ideological version of buying the Ramones’ Hey Ho Let’s Go: Greatest Hits and no other Ramones records and still calling yourself the biggest Ramones fan in the world. Saying “fuck” all the time is meant to convey a resistance to stuffy idiomatic convention. Saying “vagina” again and again is meant to convey body positivity; it’s a standoff with shame. Or at least it’s supposed to be. More often it isn’t. Saying these words all the time doesn’t convey edginess as much as lack of imagination. Posting “fuck Trump” on Facebook every five …

The Price of Sex

Working as a photographer for a charity a few years back, I was travelling through Malawi and stopped overnight in a mining town. It was a Wednesday, and I headed out to a bar. Other than a woman serving, everyone else there was male. Some were playing pool. Some were drinking, but most were doing neither. I asked the bargirl why there were no women in the place. With a look that suggested I was being dim, she explained: “The men get paid on Friday.” On the surface, in a mining town, the gender pay gap is huge, with the vast majority of money officially going to men. And yet, by Saturday morning, much of the cash has been transferred to bar owners, prostitutes, girlfriends, and wives. A privileged observer might suggest that women in such a town ought to be liberated to earn their own money. But the point is that they already are. While most fair-minded people would no doubt agree that women should be free to take mining jobs if they choose, …

The Only Thing Necessary for the Triumph of Evil is for Good Women to Do Nothing

In my pre-feminist days, sexual harassment and rape were so common, so pervasive, so accepted, that they were virtually invisible. The shame clung to the victim or to the whistle-blower; the abuser almost never experienced any consequences for his actions. In fact, he was rarely named and when he was all ranks closed to protect him and to destroy his accuser. Back then, people had very stereotypical ideas about who a rapist might be. He was a monster, a stranger, a loser—not the boy next door, not one’s husband or boyfriend, definitely not a wealthy celebrity, a diplomat, or the employer of hundreds. Like most young women in the 1950s and 1960s, I was sexually harassed, almost every day, certainly a few times every week—by strangers on the street, men on trains and in movie theaters, employers, neighbors, and professors. Like others of my generation, I was bred to accept it, keep quiet about it, and blame myself if something about it bothered me. For years I did this, until the feminist movement in the late …

‘For the Love of Men’—A Review

A review of For the Love of Men: A New Vision for Mindful Masculinity by Liz Plank, St. Martin’s Press (September 2019) 336 pages. “There is no greater threat to humankind,” Liz Plank announces on the first page of her book For the Love of Men, “Than our current definitions of masculinity.” A bold claim. “Toxic masculinity,” Plank claims, underpins vast amounts of suffering across the globe. Lest this introduction lead one to expect an anti-male screed, Plank is at pains to insist that many of the victims of “toxic masculinity” are men themselves. Who could claim that masculinity cannot be problematic? Men are undeniably responsible for most of the rape and murder in the world, and suicide claims a disproportionate number of male lives. The male bias towards camouflaging vulnerability—expressed, for example, in men’s disproportionate unwillingness to address potential health problems, be they mental or physical—was more adaptive when familial life depended on men getting up to work and fight every day of every week, but it is less so in our more comfortable …

The Defenestration of Domingo

The #MeToo movement has ended the U.S. career of legendary 78-year-old Spanish tenor Placido Domingo, one of classical music’s greatest ambassadors and impresarios. For nearly half a century, Domingo’s intense stage presence and warm, soaring voice captivated opera audiences; during the 1990s, he reached millions of new listeners as a member of the itinerant Three Tenors. In recent years, long after most singers have retired from the stage, he has continued a grueling international performance schedule, now singing baritone roles with remarkable pitch control and legato. Domingo’s entrepreneurial drive has been as untiring as his stage career. He was pivotal in creating Los Angeles’s first full-time opera company, LA Opera, the culmination of two decades of artistic diplomacy in Southern California. As LA Opera’s general director, he wooed philanthropic support from philistine Hollywood and the city’s political class. In 1993, he founded the international opera competition, Operalia, one of several institutions he has established to promote young singers. He led the Washington National Opera as general director from 1996 to 2011, and his conducting career …