All posts filed under: Review

“Kill All Normies” Online Culture Wars and the Rise of the Alt-Right—A Review

A Review of Kill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt- Right, by Angela Nagle. Zero Books, $9.99 (Kindle edition).   An Irish literary critic and academic as well as a “dirtbag leftist” with bylines in Jacobin, The Baffler, and Current Affairs, Angela Nagle documents here the background and breakthroughs of the online politics which helped shape the 2016 election. It is an important topic and a fascinating one, and Nagle demonstrates the requisite impartiality: her conclusions do end up fitting her new-old-left politics nicely (as demonstrated by approving book-jacket quotes from Connor Kilpatrick of Jacobin and Amber A’Lee Frost of Chapo Trap House and Current Affairs), but they’ve garnered approval across the political spectrum, from Nagle’s neck of the woods all the way to the stodgy Never-Trumpism of the National Review. Unfortunately, one gets the impression that Nagle and Zero were both quite aware of how urgently this analysis was needed; the product seems rushed, even unfinished. Kill All Normies is merely a good start in need of deeper research, …

Laura Kipnis, Camille Paglia and the Redefinition of Sex

Reading Laura Kipnis’ Unwanted Advances is challenging. Not because Kipnis isn’t a gifted writer, but because her experience with Title IX administrators, today’s campus equivalent of a morality squad, is downright noxious. What landed her in trouble was an article she wrote, “Sexual Paranoia Strikes Academe” (Chronicle of Higher Education, February 2015). Many of us who remember the heady days of 70s and 80s campus life appreciated her candour about sex, especially when it came to the empowerment we felt then. Young campus feminists today, groomed to see themselves as victims disagreed, claiming they found the article “terrifying.” A campus petition to sanction Kipnis at Northwestern followed, as did a Title IX inquiry. Kipnis’ cautionary tale dovetails with Camille Paglia’s collection of essays, Free Women, Free Men. Paglia also draws inspiration from her own life, although her analyses focus more on shifting cultural Zeitgeists, the kind that empower or disempower women. Loosely, both books form a subjective (Kipnis) and objective (Paglia) look at how current iterations of feminism are curbing freedoms and diminishing the quality …

Review—Inglorious Empire: What the British Did to India by Shashi Tharoor

A review of Inglorious Empire: What the British Did to India by Shashi Tharoor.  Hurst (March 2, 2017). In November 2011, Pankaj Mishra, an Indian author, literary critic, and essayist for the Guardian and the New York Times, wrote a scathing review of Niall Ferguson’s Civilisation: The West and the Rest in the prestigious London Review of Books. Ferguson is a pop historian, and his recent polemic depicting Henry Kissinger as an idealist is a corny and ahistorical piece of work for any serious scholar of International Relations. But on one point, Ferguson has been remarkably consistent and fair—that there needs to be a more nuanced assessment of Britain’s Imperial legacy. Since the Second World War, the prevailing view in academia has been that colonialism was an unpardonable and incomparable sin that plagued the globe for over two hundred years. Any counterpoint to this view is routinely dismissed as pro-colonial and therefore, by definition, racist. Ferguson has argued in several books that colonialism is a much more complicated subject than such black-and-white rhetoric allows. For this, he has been skewered from all sides, most savagely by Mishra in the LRB, who was subsequently threatened …

Reviving “Essentialism” and Other Scientific Straw Men

Cordelia Fine’s latest attempt at human exceptionalism and biology denial Testosterone Rex has drawn rave reviews from (almost) everyone, from the popular press to Nature. Happy to go against this grain, I would like to suggest that these much-circulated rumours of the death of human nature have been somewhat exaggerated. Most of Fine’s targets are probably quite well deserved chunks of popular science, male chauvinism, and journalistic overreach. However, when she turns her sights on serious science she makes some rather egregious blunders. This is a pity—because there is much in the public understanding of sex differences that could really use some popular explication and myth busting. Let’s start with what is positive about the book. Many will find her anecdotal approach to be engaging and charming. I didn’t, but I’m a miserable old curmudgeon who wants to get to grips with the facts, not be reassured via an anecdote about kangaroo testicles that that the writer “doesn’t hate men really”. On this point: I’m always a little unsettled by people who feel the need …

The Changeling — A Review of ‘In Full Colour’ by Rachel Doležal

A review of In Full Color by Rachel Doležal. BenBella Books, Dallas, Texas (April 2017) 282pages. When I was a girl, my mother said wanting something too much often led to its opposite. It could mean I’d get something almost – but not completely – unrelated to what I desired, even something I hated. If this happened, she would say and that’s what the fairies sent you. The fairies sent things and took them away all the time among my Irish kin, none more distressingly than changelings, where newborn natural children were stolen and replaced with fairy children. Fairy changelings were not like their parents, were greedy, and always unwanted. Changeling stories – present in Ireland, Scotland, Germany, Scandinavia, and among the Igbo people of Nigeria – seldom show the fairy child growing up to be loved and accepted by its human family. Usually it is killed, but only after being beaten, dunked in the river, or left on a hot stovetop. Its parents complain about its ravenous hunger, its odd appearance, its sickliness, its …

Cordelia Fine’s “Testosterone Rex” — A Review

A review of Testosterone Rex, by Cordelia Fine. W.W. Norton and Company (January 2017) 272 pages.  “Scientism”. “Orientalism”. “Historicism”. The trouble with inventing a belief system and ascribing it to your opponents is that you might inadvertently have built a straw man. After all, nobody actively signs up to these supposed philosophies: they’re terms of criticism or abuse. One such nebulous belief system is the topic of psychologist Cordelia Fine’s new book, Testosterone Rex. Unconcerned by the straw-manning risk, Fine introduces the eponymous “Testosterone Rex” as the “story of sex and society” that holds that there are male brains and there are female brains, programmed by evolution to be irreconcilably different, with testosterone explaining males’ greater risk-taking, promiscuity, competitiveness, and dominance. Fine argues that modern science is the asteroid that wiped out this T-Rex, revealing subtler cultural—not biological—explanations for the sex differences we see in society. Fine’s first target is the ‘Bateman Gradient’, a seminal (excuse the pun) finding on sexual selection from 1940s experiments on fruit flies. Geneticist Angus Bateman found that the link …

Review: The New Philistines

A review of The New Philistines: How Identity Politics Disfigure the Arts by Sohrab Ahmari. Biteback Publishing (2016), 144 pages.   “Today’s art world isn’t even contemptuous of old standards — it is wholly indifferent to them,” writes Sohrab Ahmari in this timely polemic, in which he writes passionately in defence of humane art and the critical standards once thought to be of supreme importance and permanence: “sincerity, formal rigour and cohesion, the quest for truth, the sacred and the transcendent.” Editorialist for the Wall Street Journal, contributor to Commentary magazine, author and editor of works analyzing the Arab Spring and its aftermath, and a recent convert to Catholicism, Ahmari makes his own position clear. His book is aimed at readers who want to engage with art but find too little of it that speaks to them. He is not concerned with winning over the art world insider or academic expert, but rather wishes to aid the confused and disgruntled arts lover. Ahmari was raised in Iran while the “cultural revolution” busied itself purging the academy and cultural …