All posts filed under: Music

The Purity Spiral of Canada’s Music Industry

In 2015, the Canadian music world erupted in controversy when a Calgary post-punk band named Viet Cong came to slight prominence with the release of their debut album. The name was deemed culturally appropriative, insensitive and racist. And the band endured concert cancellations and protests throughout a North American tour for its self-titled debut album, with some activists claiming that the band’s name was enough to cause them full-blown emotional trauma. Finally, in late 2015, members of the band announced they would change the name, unveiling “Preoccupations” in 2016 (under whose banner the band has released two further albums). One might think the band would be lauded for this move: The members took the protests seriously, spoke to those involved—even if they may have bristled at the accusations of outright racism, and pushed back against the level of scorn they were receiving. Having chosen “Viet Cong” in an unserious moment during an early rehearsal session, the band eventually concluded that four guys from Alberta, none with any personal connection to Vietnam, might want to pick …

Diversity and the Concert Hall

Orchestras have had a rough time lately. Rising deficits, inadequate facilities, internal financial squabbles, and an overall lack of interest from the general public have provided more than their share of hurdles for these venerable institutions. Now, in addition to these looming obstacles, orchestras are being faced with a whole new challenge: the call to diversify their programs with more music written by women and minority composers. To get ahead of this cultural trend, several institutions have started initiatives to synthetically bolster the number of performed works by composers in these aforementioned groups. In February, the BBC Proms announced plans for fully half of all new commissions to be granted to women composers by 2022. Earlier in March, the website ICareIfYouListen responded to a tweet accusing them of unconscious bias by reaffirming their commitment to “equitable programming” with a primary interest in “promoting the work of historically underrepresented and marginalized artists.” The website also detailed its apparently already existing policy of “turning down 100% of concert reviews and album reviews that feature works by all white men, with the only exceptions being portrait …