All posts filed under: Art

E Pluribus Unum: Out of Many, One

F. Scott Fitzgerald famously said that the mark of true intelligence was “the ability to hold two opposing views in mind at the same time.” Actually, I’m not sure that intelligence is the right word. I think it is wisdom that allows us to hold opposing views in mind at the same time. And it’s certainly true that wiser, more measured voices are drowned out as politics becomes more polarised and the internet makes debate more extreme. Balance is elusive, for all of us in our individual lives, and across society as a whole, and even when attained it is often fleeting. The search for creative, but lasting, equilibrium is a quest as old as time. Balance isn’t boring if the stakes are high. Balance isn’t boring if you’re walking a tightrope without a safety net, 1000ft up in the air, while carrying a priceless vase. Each generation has to maintain the balance of society as best it can. We strive to avoid disaster. That priceless vase might be tradition, or skills, or learning, it …

Why Postmodern Art is Vacant

Andy Warhol was and still is arguably the most recognisable face of modern art. His pieces sell for hundreds of millions, and to find one of his works at a garage sale or flea market would set you up for a very comfortable retirement. With his thick retro glasses and lustrous platinum wigs the man was the epitome of the avant-garde. The central function of his work and the work of his contemporaries was to jumble together high and low culture, to claim them as equal to each other, and to challenge our notion of what really was “worthwhile art.” Building on the work of the early conceptual artists from the turn of the last century, he tore asunder the old ideas of traditional aesthetic value, stating through his pieces that there can only be interpretation and that all works are of equivalent value. However, when he died in February 1987 the world got a real look at Andy Warhol and what he really considered to be “worthwhile art.” Behind the doors of his neo-classical …

Confessions of a Hello Kitty Killer: The Pernicious Effects of Cuteness

Call me a sociopath, but I’ve always had a problem with things conspicuously cute. As a child growing up in the sixties and seventies, unlike most of my peers, I couldn’t help but see something creepy, even sinister in those smiley faces supposed to make us smile. The weird yellow circles with the arched mouths and dead black ovals for eyes, slapped on everything from school binders to rear bumpers and hippie asses, didn’t elicit the warm-and-fuzzy feelings intended, not for me. No more do those favorite emojis on social media today, really just variations on a smiley, make me trust the opinions they’re used to express. Still feeling left out of the cute party and looking back for some explanation, I’m forced to admit I was never an easy child. Those Margaret Keane portraits of boys and girls with eyeballs about to explode, cradling kittens and puppies no less deformed, left me numb. A popular clown print gave me nightmares until my mother removed it from my room. As a young adult, I recoiled …

You Are Not Important: Defund Identity Culture

The Australia Council for the Arts, state Arts ministries, Humanities faculties, the Australian Broadcasting Corporation (ABC), and the Special Broadcasting Service (SBS) should not force taxpayers to fund work that explores the desert of identity and rejoices at mirages. Today, one encounters examples of identity culture in multiple artistic fields. “Join us to explore the meaning of identity,” wrote the Director of the 2016 Melbourne Writers Festival on the program’s welcome page. The Director of the Melbourne Conservatorium, Gary McPherson, lists identity among his principal research topics. Pamela Burnard, a Cambridge professor and Melbourne University alumnus, considers identity of supreme importance. According to Burnard, academics and music teachers must “understand the voices and the multi-voicedness of students” and celebrate “diverse creativities” for the sake of an “emergent ecology.” (I do not know what this means.) John Gray, the well-known critic of liberal humanism, referred to Burnard’s ilk as members of “increasingly marginal universities.” The more that twenty-first-century societies lose interest in the Humanities, the more Humanities academics pretend to address everyone, promote social participation, and …

How French Intellectuals Lost Their Faith

As the Socialist government of François Hollande slumps into obscurity, the favourites in this year’s French presidential elections are a liberal, Emmanuel Macron, a conservative, François Fillon, and a national conservative, Marine Le Pen. Amid the usual corruption scandals is the smell of what the French call “le declinisme.“ France is a country ill-at-ease with itself. Mr Hollande plumbed record depths in his approval ratings and while Ms Le Pen is predicted to lose the elections, it is astonishing that she has so much of a shot. Populism has spread across America and Europe, of course, but what distinguishes France is the extent to which its artists and intellectuals have expressed the same concerns as its electorate. This is somewhat surprising. French intellectuals have long been at the forefront of revolutionary thought. Voltaire and Rousseau radicalised French liberal opinion in the years before the toppling of the Ancien Regime. In the 20th Century, Sartre, Althusser and Badiou promoted communism, while Lacan, Derrida, and Foucault dug into the foundations of Western culture. Their disciples led the …

Are Internet Memes a New Form of Literature?

Every age has its form of literature, could the Internet meme be ours? In literature, new genres are born because of the ceaseless human quest to find new and improved modes of communication. From Donald Trump to Brexit, some of our most profound, witty and honest observations are communicated through internet memes. Used for humour, therapy, gratification and protests, memes serve the internet generation well for they are free, instantly obvious and loaded with cathartic qualities. If we analyse memes as a genre, we will find that it has more in common with traditional forms of storytelling, like fable and parable, than it has with the novel. Novel is a reflection of Capitalism in literature. It is formal, measured, commodified and portable. There is a standard version of the text, and an author to claim credit and royalties. Memes, on the other hand, are a return to fable in many ways. Just like fable, memes are community-driven, anonymously produced and open to modification. There is no need for a specialized degree or slick linguist skills …