Author: Brad Ross

Diversity and the Concert Hall

Orchestras have had a rough time lately. Rising deficits, inadequate facilities, internal financial squabbles, and an overall lack of interest from the general public have provided more than their share of hurdles for these venerable institutions. Now, in addition to these looming obstacles, orchestras are being faced with a whole new challenge: the call to diversify their programs with more music written by women and minority composers. To get ahead of this cultural trend, several institutions have started initiatives to synthetically bolster the number of performed works by composers in these aforementioned groups. In February, the BBC Proms announced plans for fully half of all new commissions to be granted to women composers by 2022. Earlier in March, the website ICareIfYouListen responded to a tweet accusing them of unconscious bias by reaffirming their commitment to “equitable programming” with a primary interest in “promoting the work of historically underrepresented and marginalized artists.” The website also detailed its apparently already existing policy of “turning down 100% of concert reviews and album reviews that feature works by all white men, with the only exceptions being portrait …